ARTnews: Janet Taylor Pickettâs Moment to be Seen at Jennifer Baahng Gallery
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Janet Taylor Pickett is included in Century: 100 Years of Black Art at MAM
February 9 - July 7, 2024
GERHARD RICHTER
DAVID HOCKNEY
A Bigger Book. Art Edition No. 251â500 âUntitled, 346â Edition of 250
Hardcover, 498 pages, 13 fold-outs, 19.7 x 27.5 in., with iPad drawing Untitled, 346, 2010, signed by the artist and numbered, 8-color ink-jet print on cotton-fiber archival paper, 12.9 x 17.3 in. on 17 x 22 in. paper; an adjustable bookstand by Marc Newson; and an illustrated 680-page chronology book
A Bigger Book. Art Edition No. 751â1,000 âUntitled, 516â
Edition of 250
Hardcover, 498 pages, 13 fold-outs, 19.7 x 27.5 in., with iPad drawing Untitled, 516, 2010, signed by the artist and numbered, 8-color ink-jet print on cotton-fiber archival paper, 12.9 x 17.3 in. on 17 x 22 in. paper; an adjustable bookstand by Marc Newson; and an illustrated 680-page chronology book
A Bigger Book. Art Edition No. 1â250 âUntitled, 329â
Edition of 250
Hardcover, 498 pages, 13 fold-outs, 19.7 x 27.5 in., with iPad drawing Untitled, 329, 2010, signed by the artist and numbered, 8-color inkâjet print on cotton-fiber archival paper, 12.9 x 17.3 in. on 17 x 22 in. paper; an adjustable bookstand by Marc Newson; and an illustrated 680-page chronology book
A Bigger Book. Art Edition No. 501â750 âUntitled, 468â
Edition of 250
Hardcover, 498 pages, 13 fold-outs, 19.7 x 27.5 in., with iPad drawing Untitled, 468, 2010, signed by the artist and numbered, 8-color ink-jet print on cotton-fiber archival paper, 12.9 x 17.3 in. on 17 x 22 in. paper; an adjustable bookstand by Marc Newson; and an illustrated 680-page chronology book
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David Hockney
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ALEX KATZ
Alex Katz
Black Dress, 2015
23-37 Color silkscreen on Saunders Waterford 425 gsm paper
203 x 76 cm each
Edition of 35
Portfolio of nine (9) prints
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A Live Interview With ARTnews President & Editorial Director Marion K. Maneker And Janet Taylor Pickett
Please view on YouTube:
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Janet Taylor Pickett is included in Century: 100 Years of Black Art at MAM
February 9 - July 7, 2024
Madison Avenue Spring Gallery Walk 2021
Join ARTnews and the Madison Avenue Business Improvement District for our Madison Avenue Spring Gallery Walk taking place on Saturday, May 15, 2021. This free event invites the public to visit participating galleries, view their spring exhibitions, and attend expert talks led by artists and curators onMadison Avenue and its adjacent side streets from East 57th Street to East 86th Street.
Baahng Gallery
790 Madison Avenue (66-67)
Hour: 11am-6pm
ERIC BROWN
Amagansett (6-30), 2020
Oil on canvas
14 x 18 in.
Untitled (4-17), 2020
Color pencil and graphite on paper
14 x 11 in. paper
18.5 x 15.5 in. framed
Spirit, Groan Inwardly While We Wait I, 2022
Oil on canvas
36 x 24 in.
Spirit, Groan Inwardly While We Wait III, 2022
Oil on canvas
36 x 24 in.
Spirit, Groan Inwardly While We Wait II, 2022
Oil on canvas
18 x 24 in.
Spirit, Groan Inwardly While We Wait IV, 2022
Oil on canvas
18 x 24 in.
Estival, 2022
oil on canvas
36 x 40 inches
Threshold, 2021
Oil on canvas
16 x 20 inches
Nightfall, 2022
24 x 30 inches
oil on canvas
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ââŚ..as Kleeâs paintings did, that the spiritual in art might happen at small scale, rather than in grand, orchestral gestures.â
Â
by Martha Schwendener, The New York Times, January 22, 2020
Â
ERIC BROWN
Lives and works in New York
ARTIST BIO
Eric Brown received a B.A. in Studio Art from Vassar College. In 2020, he received a Master of Divinity from the Union Theological Seminary. He is a painter and a chaplain. He is the recipient of the MacDowell Fellowship (2016) and was the Visiting Artist and Scholar at the American Academy in Rome (2015). He has had numerous solo exhibitions, including at Isle Arts, Crush Curatorial, James W. Palmer Gallery, Theodore: Art, The Art Center at Duck Creek, and Jennifer Baahng Gallery. His works have been featured in Artcritical, ARTnews, The New Criterion, The New York Observer, and The New York Times. He lives and works in New York and Sag Harbor.
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JAYE MOON
âA few years ago in New York, I saw Nam June Paikâs 1974 monumental piece, âElectronic- Superhighway : Continental U.S., Alaska, Hawaii.â A neon map of the USA embedded with TV-monitors playing clips from different sources representing the cultural identity of each state. For Kansas, the center of the map and of this piece itself, Paik created a montage of âThe Wizard of Oz.â Through this work, Paik illustrated a diverse nation using media technology that would become increasingly prevalent in our society. I was inspired by Paikâs anticipation of a future where communication networks act as a bridge between different people and cultures. The colors in my piece reference the visual vocabulary of the movie: yellow brick road, ruby red shoes, Emerald City, poppy field, etc. By using Braille, I create an opportunity for the work to be experienced not only visually, but also by reading it tactilely.â
Call Me by Your Name, 2019 Lego bricks on plexiglas 120 x 100 in. (304.8 x 254 cm)
âThis piece was created as a part of WorldPride/Stonewall 50 in 2019 and was displayed as public art in the Lower East Side. Since this festival was a celebration of LGBTQIA communities, I chose to use the LGBTQIA movie âCall Me By Your Nameâ to create a mural work. I translated this movie script into English Braille and constructed the translation visually with Lego bricks. The movie script is edited to fit in the site - specific space, but I retained the storyline's flow. I wanted to bring awareness to a language that is often overlooked by people who are not visually impaired. Using Braille to write out the script connects multiple communities in one public place, making it a more intersectional piece. Viewers may be drawn to the colors of the work and the novelty of toys, but what they really find in the code are lives that have historically been hidden. Bricks connect these experiences visually and literally.â
ěë§ ë ężě ëë / Yamma Ni Ggumeun Mwoni / Hey, Whatâs your dream 2020
Lego bricks on wood
20 x 20 in. (50.8 x 50.8 cm)
âBTSâs song lyrics from âNo More Dreamâ written in Korean Braille number codes. I see a connection between Nam June Paikâs art and BTSâ music. Nam June Paik believed that digital media and communication networks would connect people and culture. BTS actually executed Paikâs vision playing a role as digital natives. I wrote BTSâ lyrics into Braille and converted this to number codes, which resemble binary codes underlying common communication tools.â
I Should Love Myself 2020
Acrylic on wood
16 x 24 in. (40.64 x 60.96 cm)
âExcerpted a line from popular BTSâs song, converted to Braille system in English and then translated to designated colors and painted. âBTSâ âLove Myselfâ written in Braille patterns. I used Braille as an art medium when I first came to the US in 1991. Experiencing a new culture and using a different language made me realize how frustrating it can be to live and communicate in a new place. I felt like I was trapped in a dark room, unable to see or feel. I wondered if blind people feel this frustration as well, being closed off from many aspects of society.â
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Jaye Moon is included in the New York Foundation for the Arts exhibition
October 30, 2022 - October 29, 2023
MR.
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Untitled, 2012
Acrylic on snowboard
Unique
12.5 x 60.5 in. (31.75 x 153.67 cm)
Signed and inscribed
JAYE MOON
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inquiries@baahng.com  Highrise II, 2007 29 x 17 x 10 in. (73.66 x 43.18 x 25.4 cm) Legos, Plexiglas, Stainless Steel Unique Orange Cell, 2014 8.5 x 7.5 x 3.5 in. (21.59 x 19.05 x 8.89 cm) Plexiglas, Legos, Stainless steel Unique Circle Room, 2014 12 x 10.5 x 6.5 in. (30.48 x 26.67 x 16.51 cm) Plexiglas, Legos, Stainless steel Unique
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Audre Lorde Bag #5, 2020
Custom made black leather hand bag with red leather lining. Embossed in Braille on front and stamped by hot foil stamping inside Inscribed with Audre Lordeâs âI am not free while any woman is unfree,even when her shackles are very different from my ownâ
5.5 x 7.5 x 3.5 in. (13.97 x 19.05 x 8.89 cm)
Signed, numbered, and accompanied by the Certificate of Authenticity