OSVALDO ROMBERG
Untitled (De La Tour), 1998
Oil on canvas
14 x 10 inches, framed
Untitled (De La Tour), 1998
Oil on canvas
14 x 10 inches, framed
ROMARE BEARDEN
Blues Singer from the Delta, 1987
Watercolor, collage
30 x 40 inches
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MARIO MERZ
‘IT IS AS POSSIBLE TO HAVE A SPACE WITH TABLES FOR 88 PEOPLE AS IT IS TO HAVE A SPACE TABLE FOR NO
‘IT IS AS POSSIBLE TO HAVE A SPACE WITH TABLES FOR 88 PEOPLE AS IT IS TO HAVE A SPACE TABLE FOR NO
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SHARON BUTLER
Row by Row and Numbered (July 11), 2022
Oil on linen
48 x 60 inches
The Day Before (July 17), 2022
Oil on linen
36 x 48 inches
Field, 2022
Oil on canvas
48 x 36 inches
October November, 2019
Oil on canvas
48 x 24 inches
Mueller Report (July 27, 2016), 2019
Oil on canvas
52 x 45 in.
Mueller Report (June 9, 2016), 2019
oil on canvas
52 x 45 inches
May 29, 2018, 2020
Oil on canvas
52 x 45 in.
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SHARON BUTLER
Born 1959, Connecticut, USA
Lives and works in New York
EDUCATION
MFA, Art, University of Connecticut, 1994
BFA, Painting, Massachusetts College of Art, 1987
BA, Art History, Tufts University, MA, 1981
SELECTED SOLO EXHIBITIONS
“Next Moves,” solo, Jennifer Baahng Gallery, NY, 2022”
“Morning in America,” Theodore:Art, Brooklyn, NY, 2021
“New Paintings,” Theodore:Art, Brooklyn, NY, 2018
“Good Morning Drawings,” SEASON, Seattle, WA, 2017
“Sharon Butler,” Theodore:Art, Brooklyn, NY, 2016
“New Social Situations,” Beacon, NY., 2015
“Dense Surveillance,” SUNY Westchester, NY, 2013
“Precisionist Casual,” Pocket Utopia, NY, 2013
“Gone Wrong,” Real Art Ways, Hartford, CT, 2012
“Sharon Butler: New Paintings,” John Davis Gallery, Hudson, NY, 2009
SELECTED GROUP EXHIBITIONS
“MOD,” Platform Project Space, Brooklyn, NY, 2022
“Eraser.” Ground Floor Contemporaary, Birmingham, AL, 2022
“Love, Devotion, Surrender, Dedication,” Rick Wester Fine Art, NY, 2021
“Pause,” Theodore Gallery, Tribeca, NY, 2021
“Drawings,” ‘sindikit, Baltimore, MD, 2017
“Restraint and Limitation,” George Caleb Bingham Gallery at the University of Missouri, 2017
“Deux Côtés,” Galerie Jean Fournier, Paris, 2017
“Vernacular,” Theodore:Art, Brooklyn., NY, 2015
“Abstraction and Its Discontents,” Storefront Ten Eyck, Brooklyn, NY, 2014
“Brooklyn Bridge,” George Lawson Gallery, San Francisco, CA, 2014
AWARDS / FELLOWSHIPS / RESIDENCIES
Yaddo, Saratoga Springs, NY: Resident, 2018.
Creative Capital / Andy Warhol Foundation Arts Writer Grant / Follow-up Grant: Two Coats of Paint, 2016.
Yaddo, Saratoga Springs, NY: Patricia Highsmith-Plangman Resident, 2015.
Creative Capital / Andy Warhol Foundation Arts Writer Grant / Blog category, 2013-14.
Counterproof Press, University of Connecticut, Storrs, CT: Artist in Residence, 2014.
Connecticut Commission on Culture and Tourism: Artist Fellowship, 2008.
Blue Mountain Center Artists and Writers Colony: Fellowship, 1997.
University of Connecticut: Graduate Fellowship, 1990-91.
Vermont Studio Center: Work Study Grant, 1988.
Pollock-Krasner Foundation: Grant Recipient, 1989-90.
SELECTED REVIEWS / INTERVIEWS / ANTHOLOGIES
Eraser 4, Interviews with Sharon Butler, Matt Kleberg, Jered Sprecher, Jason Stopa, Vadis Turner, Thornton Willis. Edited by Brian Edmunds. Birmingham, AL, Curating Contemporay, 2022
Brainard Carey, “Sharon Butler,” Praxis Interviews on Yale Radio, podcast, January 27, 2022
Laurie Fendrich, “Accidental on Purpose: Sharon Butler at Theodore:Art,” artcritical,web, February 26, 2021
James Panero, “Gallery Chronicle,” The New Criterion, March 2021
Loren Monk, “Sharon Butler at Theodore:Art,” James Kalm Rough Cuts, video review, January 26, 2021
Leslie Wayne, “Light is Beauty: Sharon Butler talks art, life and blogging,” artcritical, Oct. 1, 2018
Paul D’Agostino, “Instagram Cats: Sharon Butler’s new paintings based on iPad drawings are telling you, quite frankly, that surfaces matter,” Hyperallergic, Sept. 22, 2018
Patrick Neal, “Philosophical Paintings that Bare Their Process,” Hyperallergic, February 5, 2016
Benjamin Riley, “The Critic’s Notebook,” The New Criterion, February 2, 2016
Howard Halle, “Critic’s Picks: Sharon Butler,” Time Out New York, January 25, 2016
VISITING ARTIST / CRITIC / LECTURER
Cornell University, Ithaca, NY
Parsons at the New School, New York, NY
Pennsylvania Academy of Fine Arts, Philadelphia, PA
Brown University, Providence, RI
University of Connecticut, Storrs, CT
Penn State University, State College, PA
Vermont Studio Center, Johnson, VT
University of Wisconsin at Madison, Madison, WI
Minneapolis School of Art and Design, Minneapolis, MN
Maine College of Art, Portland, ME
School of the Art Institute of Chicago, Chicago, IL
Hunter College MFA Program, New York, NY
School of Visual Arts MFA Program, New York, NY
Hoffberger School of Painting, Baltimore, MD
Brooklyn College, Brooklyn, NY
Cornish College of The Arts, Seattle, WA
Related:
Adam Simon reviews Sharon Butler’s NEXT MOVES in the October 2022 issue of The Brooklyn Rail
September 15 – November 15, 2022
MICHAEL MCCLARD
Way Wild West, c.1984
Acrylic on muslin
108 x144 inches
Prometheus Presents, c. 1986
Acrylic on muslin
144 x 108 inches
Collector Antique, c.1984
Acrylic on linen
108 x 60 inches
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MICHAEL MCCLARD
Lives and works in California
AWARDS
Two National Endowments of the Arts Fellowships: Media Arts and Visual Arts
TEACHING
1983-7
School of Visual Arts, NY
1987
San Francisco Art Institute, CA
1986
Parsons School of Design, NY
SELECTED GROUP EXHIBITIONS
2019
Providence, Jennifer Baahng Gallery, NY
2017
“True Grit”, Jennifer Baahng Gallery, NY
2007
“The Downtown Show: The New York Art Scene”, 1974–1984 (Broken Stories), NY
1997
“Last Party,” Serge Sorokko Gallery, NY
1996
“No Wave Cinema 1978–81,” Whitney Museum of American Art, NY
1993
“A visage découvert” Fondation Cartier pour l’Art Contemporain, Jouy-en Josas, France
1990
“Aquarian Artists,” Fine Arts Center, University of Rhode Island, “TV’s IN” Max Fish, NY
1989
“Prisoners of Art,” Police Building, NY
1988
“Micro sculpture” Fine Arts Center, University of Rhode Island, Kingston, R.I.
“Rebop”, curated by Glen O’Brien, Paula Allan Gallery, NY
1986
“The Bary Lowen Collection”, MOCA’s Temporary Contemporary, CA
Simon Cerigo Gallery, NY, Benefit for the Poetry Project at St. Marks Church, NY
1984
“Hundreds of Drawings”, Artists Space Benefit, NY
1984
“Bomb Magazine Benefit”, Blum-Helman Warehouse, NY, Art Palace, NY
“Sex Show”, Cable Gallery, NY
1983
“Prints and Drawings for Collectors”, New Gallery of Contemporary Art, Cleveland, OH
“Terminal New York,” AAA Art, NY
“Intoxication,” Monique Knowlton Gallery, N.Y. NY “Sweet Art”, Ronald Feldman Gallery, NY
“The Pressure to Paint” Marlborough Gallery, NY
“Figures of Mystery”, Queens Museum, Queens, N.Y.
“Beast: Animal Imagery in Recent Painting”, PS1, Institute for Art and Urban Resources, L I C, NY
“New Figuration in America”, Milwaukee Art Museum, Milwaukee, Wis.
1982
“Critic’s Choice”, PS 1, Institute for Art and Urban Resources, LIC, NY
1981
“New York: New Wave,” PS 1, Institute for Art an Urban Resources, LIC, NY
“Gallery Artists” Mary Boone Gallery, NY
1979
“Bat Man Show”, 591 Broadway, NY
“The Doctors and Dentists Show, 591 Broadway, N.Y. NY
“Income and Wealth Show”, 5 Bleeker Street, NY
1978
“Exhibit A”, 93 Grand Street, NY
1977
“New Art Auction and Exhibition”, Artists Space, NY
1976
“Ten in Situ”, Colgate College, Hamilton, N.Y.
1975
“Continuing Work in Various Media” 597 Broadway, NY
1970
“Young Bay Area Sculptors”, Emanuel Walter Gallery, San Francisco, CA
SELECTED SOLO EXHIBITIONS
2022
Bizarre Delight, Jennifer Baahng Gallery, NY
1988
“Things”, Willoughby Sharp Gallery, NY
1987
Suzan Cooper Gallery, NY
1986
Simon Cerigo Gallery, NY
1985
Curated by Atanasio Di Felice, Harm Bouckaert Gallery, NY
1982
American Graffiti Gallery, Amsterdam NE
1981
Mary Boone Gallery, NY
1977
Konrad Fischer Tunnel Space, Dusseldorf, W. Germany
1975
“Trial by T.V.”, Hall-walls, Buffalo, NY
“There’s Meat on These Bones”, The Clocktower, Institute for Art and Urban Resources, NY
SELECTED FILM / VIDEO/TV
1993
”Curious White boy,“ independent feature, directed by Thomas W. Wright, staring Taylor Mead; art director
1990
”Force of Circumstance,“ political thriller, 89 min, directed by Liza Bear, produced by Ad Hoc Films; art director
1982
”Lost Oasis,“ short film, color, 8 min, directed by Liza Bear; co-producer
1981
”Oued Nefifik: A Foreign Movie,“ narrative film, color, 27min, directed by Liza Bear; co-producer
1980
”Communications Update,“ 1/2 hour cable TV program, co-producer
1979
”ERGO, Unusual Production,“ one hour, weekly, cable TV program featuring esoteric NY artists; executive producer
1979
”Ipso Facto,“ independent feature, produced by Corpes de Garde, Gronigen, NH; writer, director
1979
”Motive,“ independent featurette; producer, writer, director “Rome ’78,” independent feature, directed by James Nares; actor; shown at New Cinema ”Men in Orbit,“ written by John Lurie; shown at New Cinema de facto director
1978
“Red Italy,” 60 min, directed by Eric Mitchell, shown at New Cinema; additional photography “Kidnapped,” 60 min, directed by Eric Mitchell, shown at New Cinema; sound recording
1978
“Alien Portrait,” short subject; producer, director
1978
“All Color News,” live news format, three, one hour cable TV programs; co-producer, director
1975
”Happy Song Cowboy Show,“ short subject; writer, director
SELECTED BIBLIOGRAPHY
Glueck, Grace, ”Art: One Man’s Biennial Assembles 102 Artists,“ The New York Times, 15 April 1983
Mouferage, Nicolas, ”Intoxication, 9 April 1983,“ arts Magazine, April 1983
Preston, ”Art Review: Mystery in Queens,“ News Day, 7 January 1983
Glueck, Grace, ”Art: ’Figures of Mystery‘ Shows New Work By 10,“ The New York Times, 7 January 1983
Sussler, Betsy, ”Michael McClard Interview“ Bomb Magazine, No.4, January 1983
Glueck, Grace, ”Of Beasts and Humans: Some Contemporary Views,“ The New York Times, 14 November 1982
Wolf, Deborah, ”Mary Boone“ Avenue, October 1982
Price, Katherine, ”Arte USA,“ Nouvi Argomenti, August-September 1982
Silverthorne, Jeannie, ”The Pressure to Paint,“ Artforum, October 1982
Wolfert-Wihlborg, Lee, ”Manhattan’s Avant-Garde Art Dealers,“ Town and Country, September 1982
Foster, Hal, ”Between Modernism and the Media,“ Art in America, Summer 1982
Smith, Roberta, ”Group Flex,“ The Village Voice, 22 June 1982
De Ak, Edit and Cortez, Diego ”Baby Talk,“ Flash Art, May 1982
Haden-Guest, Anthony, ”The New Queen of the Art Scene,“ New York Magazine, 19 April 1982
Castle, Ted, ”Michael McClard’s Faces,“ Art Forum, January 1982
Yoskowitz, Robert, ”Michael McClard,“ Arts Magazine, December 1981
Acker,Kathy, ”Motive: Interview with Michael McClard“ Bomb Magazine, No.1, January 1981
Rose, Frank, ”Exploring the Art-Rock Nexus, (Part III)“ Art Express, November 1981
Foster, Hal, ”Michael McClard at Mary Boone,“ Art in America, December 1981
Larson, Kay, ”Fear of Style,“ New York Magazine, 9 November 1981
Smith, Roberta, ”Space Walk,“ The Village Voice, 21 October 1981
Goldberg, Rosalee, Studio International, January 1977
Perron, Wendy, The SOHO News, 15 May 1976
Frank, Peter, The SOHO News, 15 January 1976
Moore, Alan, Art Forum, Summer 1975
Related:
JAYE MOON
Thin Red Line, 2018
Installation View
Lego bricks
Dimension varies
Unique
Time Zone, 2018
14 x 14 x 2 inches
Lego bricks, clock, amplifier
Unique
War Game, 2022
Lego bricks
7 x 9.5 inches
Unique
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JAYE MOON
Born 1963, lives and works in NY
EDUCATION
Pratt Institute MFA, Sculpture, Brooklyn, NY
Sangmyung Women’s University, BFA, Sculpture, Seoul
SELECTED RESIDENCY
2020
NARS Foundation Studio Relief Program, Brooklyn, New York
2012
CJ Art Studio Residency, Cheongju, Korea
2011
Fountainhead Residency, Miami, Florida
2009
New York Arts Foundation Fellowship Awards, New York, NY
2009
Al Foundation 6th Visual Art Award, New York, New York
2006
Polack Krasner Foundation Grant Award, New York, NY
SELECTED SOLO EXHIBITIONS
2021
Wizard of Oz, Jennifer Baahng Gallery, New York, NY
2019
Thin Red Line, Gallery MoMo, Tokyo
2018
Thin Red Line, Marisa Newman Projects
2017
Build Up, Hanmi Gallery, Seoul
2015
All in the Game; Art of Jaye Moon, Brick Lane, Seoul
2015
Play things in Modernism, Gallery MoMo, Tokyo
2014
Breaking the Code, Gallery MoMo, Tokyo
2012
Breaking the Code, Newman Popiashevilli Gallery. New York, NY
2012
Luminous, Gallery MoMo, Tokyo
2008
Contained, Newman Popiashevilli Gallery, New York, NY
2007
Modern Living, Max Estralla Gallery, Madrid
2005
Portable Living, Newman Popiashevilli Gallery, New York, NY
SELECTED GROUP EXHIBITION
2020
Touch, Marisa Newman Projects, New York, NY
2020
Reflection, Gallery MoMo, Tokyo
2020
Silence of Future: when your tongue vanishes, Nam June Paik Art Center, Yong In, Korea
2019
WorldPride/50 Stonewall 50, Lisa Project NYC, New York, NY
2017
Cityscape, Gallery MoMo, Tokyo
2017
Dynamic Size, Belsky Museum of Art, New Jersey, USA
2017
The City of Homeless, Gimhae Arts Center:Yunsle Art Museum, Gimhae, Korea
2016
Discovery of Space, Gyeonggi Museum of Modern Art, Gyeonggi-do, Korea
2016
The City of Homeless, Arco Art Center, Seoul
2015
Roppongi Art Night, Tokyo, Japan
2014
Lineage of Vision, New York Korean Cultural Service, New York, NY
2014
Shades of Time, Queens Museum. Queens, New York
2014
Shades of Time, New York Korean Cultural Service, New York, NY
2010
Objects, Pelham Art Center, Westchester, NY
2010
Expressions, Jamaica Art Center, Queens, New York
2009
Textile Art, Daegu Art Center, Daegu, Korea
2009
Faces and Facts – Korean Contemporary Art in New York, Sylvia World and Po Kim Art Gallery, New York, NY
2007
Fashion Meets Art, Macy’s, Herald Square, New York, NY
2007
Dichotomy. New York Korean Cultural Service, New York NY
2004
Opposite, Suite 106 Gallery, New York, NY,
2001
Rebellion of Space, Dumbo Art Center, Brooklyn, New York
1999
Outerbrough, White Columns, New York, New York
SELECTED COLLECTIONS
Gyeonggi Museum of Modern Art, Gyeonggi Do, Korea
21st C Museum Hotel, Nashville
Café Royal Hotel, London
Memorial Sloan Kettering Hospital, New York, NY
Takeo Obayashi Collection, Tokyo
Café Royal Hotel, London
Rutter Associates Korea, Seoul
Nexon, Paju, Korea
SELECTED REVIEW & INTERVIEWS
2019
Interview, Laura Flanders Show
2019
Brooklyn Street Art by Jaime Rojo & Steven Harrington
2019
Artnet Editor’s Picks, by Taylor Dafoe, January issue
2018
SCASA Magazine, by Won Young Park, July issue
2017
Artnet Editor’s Pick, by Taylor Dafoe, January issue.
2016
Art in Culture, by Kiyoung Peik, Aug issue
2016
Wolganmisool, by Byung Hak Ryu, Aug issue
2016
Misoolsege, by Hye Su Han, Aug issue
2013
Huffington Post by Priscilla Frank
2013
Brooklyn Street Art by Jaime Rojo & Steven Harrington
2012
Huffington Post by Jaime Rojo & Steven Harrington
2012
Art in America by Brian Boucher
2012
Art in the Air by Benjamin Sutton
2012
Interview, Street Art NYC. Noted Artist, by Lois Stavsly
2010
Queens Chronicle, by Willow Belden
2010
The Queens Courier, by Jessica Lyons
2009
News Week (Korean Version) Magazine by Hyunjung Seo
2009
Prattfolio Magazine, by Adrienne Gyongy, Fall issue
2007
Interview. “De Formas” Telemadrid TV Channel by Baruc Corazon
2006
Art in America, by Brian Boucher, March Issue
2003
Artforum.Com, the August Issue by Lori Waxman.
Related:
Jaye Moon included in New York Foundation for the Arts exhibition
October 30, 2022 - October 29, 2023
JENNIFER CHO
Haystack, 2000
Compact Discs
Dimension varies
Mt. Kumgang, 1996 - 2022
Digital painting, color pencil on convex canvas
100 x 200 in. (254 x 505 cm), detail
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….. “The heart of Greater New York dwells in P.S. 1’s basement. Amidst the antiquated machinery in the basement boiler room glistens Jennifer Cho’s “Haystacks,” straw-like bundles of sliced CDs created through a process she describes as “slow-tech.”
by Logan Hill, WIRED, April 5, 2000
Related:
DAVID SALLE
Overunder (Red), 2021
Archival pigment ink print, hand varnished on Innova Etching Cotton Rag 315 gsm
42 x 42 inches (106.7 x 106.7 cm)
Edition of 20
Overunder (White), 2021
Archival pigment ink print, hand varnished on Innova Etching Cotton Rag 315 gsm
42 x 42 inches (106.7 x 106.7 cm)
Edition of 20
Overunder (Blue), 2021
Archival pigment ink print, hand varnished on Innova Etching Cotton Rag 315 gsm
42 x 42 inches (106.7 x 106.7 cm)
Edition of 20
Overunder (Yellow), 2021
Archival pigment ink print, hand varnished on Innova Etching Cotton Rag 315 gsm
42 x 42 inches (106.7 x 106.7 cm)
Edition of 20
Overunder (Pink), 2021
Archival pigment ink print, hand varnished on Innova Etching Cotton Rag 315 gsm
42 x 42 inches (106.7 x 106.7 cm)
Edition of 20
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JANE FREILICHER
