Brian Dailey at The Rachel M. Schlesinger Arts Center

Brian Dailey's "WORDS" and "American in Color", installation view at the Rachel M. Schlesinger Arts Center
Brian Dailey's "WORDS" and "American in Color", installation view at the Rachel M. Schlesinger Arts Center

Brian Dailey’s works are shown at The Rachel M. Schlesinger Arts Center, January 11 – February 8, 2019. Opening reception 5-7pm, January 23. The exhibition is organized The Rachel M. Schlesinger Arts Center in collaboration with the Department of Photography and Media of the Alexandria Campus of NOVA.

January 11 - February 8, 2019

 

Brian Dailey, WORDS: A Global Conversation

BRIAN DAILEY: WORDS: A Global Conversation

February 11 - March 17, 2020
Brian Dailey, America in Color

BRIAN DAILEY: Polytropos

November 1 - December 15, 2018
Brian Dailey's "WORDS" and "American in Color", installation view at the Rachel M. Schlesinger Arts Center

Brian Dailey at The Rachel M. Schlesinger Arts Center

In collaboration with the Department of Photography and Media of the Alexandria Campus of NOVA
January 11 - February 8, 2019
perform_baahng_0113

PERFORMATIVE

Brian Dailey, Miryana Todorova, Rae-BK
July 17 - August 15, 2018

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Artist Talk with Brian Dailey Moderated by Wendy A. Grossman

   

Brian Dailey

in conversation with

Wendy A. Grossman, Ph.D.,

Curatorial Associate, The Phillips Collection, Washington D.C.

ARTIST TALK: 6:30PM, Thursday, Nov 8th, 2018

 

Accompanying the exhibition Brian Dailey: Polytropos, artist Brian Dailey and curator Wendy A. Grossman discussed about Dailey’s works and his creative process.

Brian Dailey, WORDS: A Global Conversation

BRIAN DAILEY: WORDS: A Global Conversation

February 11 - March 17, 2020
Brian Dailey, America in Color

BRIAN DAILEY: Polytropos

November 1 - December 15, 2018
Brian Dailey's "WORDS" and "American in Color", installation view at the Rachel M. Schlesinger Arts Center

Brian Dailey at The Rachel M. Schlesinger Arts Center

In collaboration with the Department of Photography and Media of the Alexandria Campus of NOVA
January 11 - February 8, 2019
perform_baahng_0113

PERFORMATIVE

Brian Dailey, Miryana Todorova, Rae-BK
July 17 - August 15, 2018

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MIRYANA TODOROVA

Miryana Todorova (b.1984 Sofia, Bulgaria) is a visual artist who lives and works between Sofia and NY. The major concern in her work is questioning the politics of public space and how people occupy it. Her projects combine painting, performance, video, movable architecture and public interventions. Miryana holds a MFA Fine Arts degree from the School of Visual Arts, NY. She has participated in numerous exhibitions in Europe and the US among which: Movables at frosch&portmann gallery, NY, Being at the Storefront for Art and Architecture, NY, Movement of the Whole at INDA gallery, Budapest, Disconsent at the Center for Contemporary Art- the Ancient Bath, Plovdiv, and dissident desire at DISTRICT Kunst- und Kulturförderung, Berlin. Miryana is the recipient of the Gaudenz B. Ruf Award for Young Artist (2011) and was a resident and fellow at the Skowhegan School of Painting & Sculpture (2012), ZK/U-Center for Art & Urbanistics (2013), District Berlin (2013), BRIC Visual Artist Residency (2014), and Eileen S. Kaminsky Family Foundation (ESKFF) at Mana Contemporary, NJ (2016). Ms. Todorova has been featured in publications such as Artforum, TimeOut New York, Blouin Artinfo, Le Monde Diplomatique, and Kultura. 

My paintings propose ideas and ways of imagining movable architecture. Temporary structures in transit set up new ways of perception and geometry. With shifting grounds and no solidity, the work continuously involves movement and adaptation and every layer becomes a reaction to the transformation of a physical and spatial encounter. 

 

Moving lands of uncertainty and precariousness emerge. Actions are open to improvisation and reconstruction. Gestures flow within open frames bouncing on and off of each other, going along each other, merging or falling apart. Clusters of adaptable architecture bump into actual barriers. Favelas, slopes and fluid corridors come close to the viewer and simultaneously create an obstructed perspective. The clash between depth and sculptural form, coming forward and layering onto one another, serves as a tool for engagement. Negotiation becomes the infrastructure. No arrangement is accidental. No order is fixed. Each bridge needs an extension. A hybrid structure, a moment of spontaneity or an ephemeral city shaped by vulnerability. 

Foreign Body is a series of paintings based on the situations and contradictions between bodies and structures in transit. These works are about adaptations, not quite fitting but being considered fit, perceiving a structure and not being able to surpass and cross over on the other side of it while still attempting to reshape the body to adapt and fight with landscapes and structural powers of oppression and disregard. 

 

The multiple layers within the paintings construct various viewpoints and cut outs- the feeling of being submerged and removed from the landscape at the same time. The canvas becomes the stage for performing vulnerability, separation, awkward encounters, obscured visibility and lack of clarity. The movable forms merge with dissident desire for resistance to demonstrate the constant fight with a world that moves forward too much on the basis of differences and conflicts rather than connectedness and collaboration. 

(b.1984, Sofia, Bulgaria) 

 

Education 

2012 Skowhegan School of Painting and Sculpture School of Visual Arts, New York, MFA Fine Arts 

2009 School of Visual Arts, New York, BFA Fine Arts 

2007 Elisava Escola Superior de Disseny, Barcelona
Diploma in Design, Art and Society: Actions on Public Space 

2006 Istituto Europeo di Design, Rome, BA Illustration and Animation
2004 Central Saint Martins, University of the Arts, London, Foundation Degree 

 

Selected Exhibitions 

2018 Recent Work: Foreign Bodies & Palaces of Sheds, Studio 510 – Artists Collective Exhibitions, Mana Contemporary, New Jersey, curated by Zeljka Himbele 

2017 Places of Pleasure, Sofia City Art Gallery, Sofia, curated by Stefka Tsaneva
MIS, 184 Project Space, Brooklyn, New York, curated by Donna Cleary

Foreign Bodies, Roger Smith Hotel, New York, curated by Danika Druttman
Prototype: 

In Motion, Societe Generale Expressbank, Sofia, curated by Studio Komplekt 

2016 SVA x Skowhegan, SVA Chelsea Galleries, curated by Lauren Haynes

Toys And Other Things That Make You Cry, ICA- Institute of Contemporary Art, Sofia 

Borderless: In Perspective, Lite- Haus Galerie, Berlin, curated by David C. Terry 

2015  Process in Progress, Baeckerstrasse4 Gallery, Vienna, curated by Vessela Nozharova
Not Only To Believe In Magic But To Be A Proof of It, Variofocus, viennacontemporary fair, Vienna 

Mature and Angry, 21th Week of Contemporary Art, Art Today Association Center for Contemporary Art- The Ancient Bath, Plovdiv, curated by Boris Kostadinov 

Save The Dreams: Contempoary Bulgarian Artists In The Imago Mundi Collection, Fondazione Giorgio Cini, Venice, curated by Claudio Scorretti 

A Travelling Satellite, DISTRICT Kunst- und Kulturförderung, Berlin
Satellite Affects And Other Lines of Flight, DISTRICT Kunst- und Kulturförderung, Berlin, curated by Susanne Husse and Andrea Keppler

Alt/Process/ Safe In My Frame, Achter de Boom Gallery, New York

Human-Nature, Salon 659, Brooklyn, New York
Attachment Theory, 184 Project Space, Brooklyn, New York

Gazellig, Achter de Boom Gallery, New York

Dissident Desire, Chapter 3, DISTRICT Kunst- und Kulturförderung, Berlin

Face to Place, New York Foundation for the Arts, Brooklyn, New York, curated by Felicity Hogan To The Heart of A Woman, Stephan Stoyanov Gallery, NY hosted by Arosita gallery, Sofia 

2014 Movement of the Whole, INDA Galéria, Budapest, curated by Kamen Stoyanov

Disconsent, 20th Week of Contemporary Art, Art Today Association Center for Contemporary Art- The Ancient Bath, Plovdiv, curated by Iara Boubnova 

Expanded Objects for Shared Living: Dream Station, Box Office, BRIC, Brooklyn, New York, curated by Jenny Gerow 

There Is More Downstairs II, Stephan Stoyanov Gallery, New York, curated by Zeljk Himbele 

2013 Being: Younger than Storefront, Expanded Objects for Shared Living, Storefront for Art and Architecture, New York, curated by Eva Franch i Gilabert and Carlos Mínguez Carrasco 

Dissident Desire, Chapter 1: Exercises of Critical Body Building, DISTRICT Kunst- und Kulturförderung, Berlin, curated by Susanne Husse and Lorenzo Sandoval 

Space Lab, 11th MitOst Festival, Leipzig, curated by Kristina Semenova and Olga Vostretsova Suspension, Artistdock, Postdamer Str 79, Berlin, curated by Arianna Plevisani and Serena Rota Footnotes, Node Center for Curatorial Studies, Berlin, curated by Patrícia Rosas

Archive of A Moving Body, ZK/U – Center for Art and Urbanistics, Berlin 

Got Eyes, Encores! Musical Theater, New York City Center, New York, cuarted by Zeljka Blaksic 

Subterranean Echoes, ZK/U – Center for Art and Urbanistics, Berlin

Urban Prothesis, ParaArtFormations, K67_Urban Router, Berlin, curated by Miodrag Kuc

239 Days, Allegra LaViola Gallery, New York, curated by Stephen Maine 

2012 Movables, Frosch&Portmann Gallery, New York
Break/Step, Radiator Gallery, New York, curated by Eileen Jeng 

Who Left What Behind, Art Gallery ‘Iliya Beshkov’, Pleven (Exchange Project: Contemporary Female Artists from Bulgaria and Turkey) 

Time Geometry – Practices in Public Environment, Plovdiv History Museum, Plovdiv, curated by Bora Petkova and HR-Stamenov 

Pulse, The Invisible Dog, Brooklyn, curated by Brian Whiteley and Pantelis Klonaris Object Not Found, Parlour No. 21, Venice, curated by Leslie Rosa
Every Once Sometimes Now, Visual Arts Gallery, New York, curated by Ron Segev 

2011 Report 23, Museum Giuseppe Scalvini, Desio, curated by Cristiano Plicato 

The Bulgarian Pavilion, Credo Bonum Gallery, Sofia, curated by Svetlana Kuyumdzhieva 

The Proposal, General Consulate of Bulgaria, New York, curated by Stanislava Georgieva 

Unlimited, Award for Contemporary Bulgarian Art Mtel, Benchmark Business Center, Sofia 

You Can Have Your Void and Eat It Too, Two Moon Art House, New York 

Temporary Status: Bulgarian Artists in America, Immigrant Movement International, New York, curated by Daniela Kostova 

Shortlist 2011- nominated artists for Gaudenz B. Ruf Award, Rayko Aleksiev, Sofia, catalog Brutal Beauty, Para_SITE Gallery, Graz, curated by Stephan Wabl
Luoghi Diversi, Palazzo Terragni, Lissone, curated by Cristiano Plicato
Lumen: Video Art Festival, Staten Island, New York, curated by Ginger Shulick 

NY Temporary: The City Through Film and Video, Center of Photography and the Moving Image, New York, curated by Liam Davis and H. P.Garcia 

2010 Lost Horizon, ArtJail, New York, curated by David Gibson
MLAB Presents, Stephan Stoyanov Gallery, New York, curated by Natalia Mount 

Dwelling-in-Travel, 16th Week of Contemporary Art, Plovdiv, organized by Art Today Association, curated by Katia Anguelova and Andrea Wiarda, catalog 

Abstract Intentions, Westside Gallery, New York, curated by Keren Moscovitch SVA Alumni Selection, Palisades Park Public Library, New Jersey 

2009 Learning Curve, Marian Spore, Industry City, New York, curated by Michael Connor OFB: The Flatbush Derby, Brooklyn College, New York 

Avant-Guide to NYC: Discovering Absence, Apexart, New York, curarted by Sandra Skurvida Refashioning: Moda Мода, On Time Security Guard Training School, Bronx, New York, 

curated by Hatuey Ramos Fermín

Peep-O-Rama, Chashama AK-57 Gallery, New York, curated by El Celso

Sum of Nothing, Lumenhouse, Bushwick, New York, curated by Sarah O’Donoghue

Making It/ Selections from the 2008 NYFA Mentoring Program for Immigrant Artists, 60 Wall Street Gallery/ Deutsche Bank, New York, curated by Liz Christensen, catalog 

New Art/ New York, Visual Arts Gallery, New York, curated by Jeanne Siegel Process and Presence, SVA Main Gallery, New York, curated by Richard Brooks 

2008 Prime Time, Westside Gallery, New York, curated by Suzanne Anker and Tom Huhn 

Meetings, National Palace of Culture, Sofia 

2007 View Finder, Westside Gallery, New York, curated by Jutta Koether

Crossing Boundaries in Public Space, CCCB- Centre de Cultura Contemporània, Barcelona Cakewalk, Metafora- Centre d’Estudis d’Art i Artteràpia, Barcelona
Naked in Your Socks, Metafora- Centre d’Estudis d’Art i Artteràpia, Barcelona 

 

Awards, Honors and Fellowships 

2013 District Kunst- und Kulturförderung, Berlin, Studio Grant ZK/U Berlin- Center for Art and Urbanistics, Fellowship 

2011 Gaudenz B. Ruf Award, category Young Artist

2010 Charles G. Shaw Award, Brooklyn College, New York 

Special Merit Award, MFA Fine Arts Department, School of Visual Arts, New York 

2009 School of Visual Arts, New York, Travel Grant, ‘Art on Art’ Workshop, Venice Biennial 

2006 Apriti IED, Rome, Merit Award Best Short Film, ‘Metapostermorfosi’

2004 Central Saint Martins College of Art, London, Chairman’s Merit Award 

 

Residencies 

2016 MANA BSMT Residency, Mana Contemporary, New Jersey, curated by Z Behl ESKFF: Eileen S. Kaminsky Family Foundation Residency 

2014 BRIC Visual Artist Residency
2008 School of Visual Arts, New York, Public Art Residency

2007 Metafora- Centre d’Estudis d’Art i Artteràpia, Barcelona, International One-Year Residency 2006 International Summer Academy, Salzburg, Residency program

2005 School of Visual Arts, New York, Painting and Mixed Media Summer Residency 

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DONALD JUDD

Donald Judd

Donald Judd
Untitled (74-20 Bernstein) 1974
Stainless steel units with red enamel painted backs
Ten units; each 12 x 24 x 14 in. (30.5 x 61 x 35.9 cm.)

Categories: artists

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Pilar Goutas

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JANET TAYLOR PICKETT

Janet Taylor Pickett Entering the Gee’s Bend, 2013 Acrylic, gouache, watercolor, graphite, photos on Arches paper 30 x 22 in.

Janet Taylor Pickett

In Full Bloom

April – May 2025

In Full Bloom, Janet Taylor Pickett celebrates women, black diasporic culture, and beauty, showcasing selected works from the AKIMBO EXOTICA series produced from 2013 – 2018.  A dress form is ubiquitous in these works, structuring her female-centric narratives and histories writ large.  A metaphor for Black memory and a symbol of identity, Taylor Pickett’s often-ornate works defy linear timeframes and geographic or cultural relationships.  Africa and Europe, past and present, coexist in Taylor Pickett’s work and continue to explore the eternal black female empowerment through beauty and self-possession.  AKIMBO EXOTICA is a portal to the past that declares its story while retaining a patina of mysticism and abstraction—the ownership of Black beauty.

Janet Taylor Pickett Entering the Gee’s Bend, 2013 Acrylic, gouache, watercolor, graphite, photos on Arches paper 30 x 22 in.

Janet Taylor Pickett

Entering the Gee’s Bend, 2013

Acrylic, gouache, watercolor, graphite, photos on Arches paper

30 x 22 in.

Janet Taylor Pickett The Blooming, 2013 Acrylic, gouache, watercolor, graphite, photos on Arches paper 30 x 22 in.

Janet Taylor Pickett

The Blooming, 2013

Acrylic, gouache, watercolor, graphite, photos on Arches paper

30 x 22 in.

Janet Taylor Pickett Mud Cloth, 2013 Acrylic, gouache, watercolor, graphite, photos on Arches paper 30 x 22 in

Janet Taylor Pickett

Mud Cloth, 2013

Acrylic, gouache, watercolor, graphite, photos on Arches paper

30 x 22 in

Janet Taylor Pickett A Vessel, 2017 Acrylic, gouache, watercolor, graphite, photos on Arches paper 30 x 22 in.

Janet Taylor Pickett

A Vessel, 2017

Acrylic, gouache, watercolor, graphite, photos on Arches paper

30 x 22 in.

Janet Taylor Pickett Alma’s Garden, 2013 Acrylic, gouache, watercolor, graphite, photos on Arches paper 30 x 22 in.

Janet Taylor Pickett

Alma’s Garden, 2013

Acrylic, gouache, watercolor, graphite, photos on Arches paper

30 x 22 in.

Janet Taylor Pickett

Indigo Hands, 2018

Acrylic, gouache, watercolor, graphite, photos on Arches paper

30 x 22 in.

Janet Taylor Pickett Flashes of Joy, 2013 Acrylic, gouache, watercolor, graphite, photos on Arches paper 30 x 22 in.

Janet Taylor Pickett

Flashes of Joy, 2013

Acrylic, gouache, watercolor, graphite, photos on Arches paper

30 x 22 in.

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SALLY EGBERT

Sally Egbert Floating Sky, 2018 Acrylic on canvas 34 x 47 inches
SALLY EGBERT
 
March, 2025

Sally Egbert  (b. 1958) works and lives in New York.  While her work is primarily abstract, there are suggestions of natural images. How nature and humans combine and collide. The works express potent images of nature abstractly and experimentally. Egbert works with the influence of nature observed in everyday environments and Old Master Art, especially Giotto. Combining collage and painting to connect past and present, she carefully analyzes nature and creates a new abstract language.  Aims for transparency, movement, and subtleness grounded in natural shapes, these shapes are painted collages. This allows the viewer to contemplate and wander in the many subtle layers Egbert applies and then settle on a more deliberate image.  This online exhibition is co-curated by Ella Kang and Jae Kim at  JENNIFER BAAHNG Seoul.

Sally Egbert Floating Sky, 2018 Acrylic on canvas 34 x 47 inches

Sally Egbert

Floating Sky, 2018

Acrylic on canvas

34 x 47 inches

Sally Egbert Sky Flower, 2017 Oil, acrylic, oil pastel, spray paint, watercolor, hand-painted fabric on canvas 60 x 70 inches JBGSE#24101802

Sally Egbert

Sky Flower, 2017

Oil, acrylic, oil pastel, spray paint, watercolor, hand-painted fabric on canvas

60 x 70 inches

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Sally Egbert

I Do, 2017

Oil, acrylic, oil pastel, spray paint, watercolor, hand-painted fabric on canvas

60 x 70 inches

Sally Egbert Little Purple Cloud, 2019 Oil, acrylic, oil pastel, spray paint, watercolor, hand-painted fabric on canvas 60 x 70 inches JBGSE#24101803

Sally Egbert

Little Purple Cloud, 2019

Oil, acrylic, oil pastel, spray paint, watercolor, hand-painted fabric on canvas

60 x 70 inches

Sally Egbert White Flower, 2021 Oil, hand-painted fabric on canvas 12x 16 inches

Sally Egbert

White Flower, 2021

Oil,  hand-painted fabric on canvas

12x 16 inches

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Categories: online-exhibitions

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SUE MCNALLY

Sue McNally My Winter Wall, 2025 Acrylic on canvas, 16 x 20 inches

SUE MCNALLY

February – March, 2025

Sue McNally (b. 1967) is a painter in Newport, RI, working in Rhode Island and southeast Utah. She grew up in New England and received a BFA from the University of Rhode Island and an MFA from the Savannah College of Art and Design. Collections include the Addison Gallery of American Art, the North Dakota Museum of Art, the Tamarind Institute Archive, The Worcester Art Museum, The RISD Museum of Art, and The Newport Art Museum.

Sue McNally My Winter Wall, 2025 Acrylic on canvas, 16 x 20 inches

Sue McNally

My Winter Wall, 2025

Acrylic on canvas,

16 x 20 inches

Sue McNally Winter Desert, 2025 Acrylic on canvas, 64 x 66 inches

Sue McNally

Winter Desert, 2025

Acrylic on canvas,

64 x 66 inches

Sue McNally Winter Walk, 2023 Acrylic on canvas 90 x 133 inches

Sue McNally

Winter Walk, 2023

Acrylic on canvas

90 x 133 inches

Sue McNally Winter, 2021 Oil on Board 12 x 12

Sue McNally

Winter, 2021

Oil on board

12 x 12 inches

Sue McNally Winter Sea, 2020 Oil on Board 12 x 12 inches

Sue McNally

Winter Sea, 2020

Oil on board

12 x 12 inches

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LAURA BELL AND IAN GANASSI

Laura Bell and Ian Ganassi THE CORPSES March 26 - April 30

Madison Ave New York

Laura Bell and Ian Ganassi

THE CORPSES

March 26 – May 3, 2024

Laura Bell, a painter based in the Bronx, and Ian Ganassi, a poet in New Haven, met as artists in residence at the Millay Colony. In 2005, Ian mailed Laura an unfinished poem and handwritten phrases on a piece of printer paper stained with coffee rings, and in an accompanying letter asked her to do something to it. This became the first move in what evolved into their ongoing collaborative collage series, “The Corpses,” titled after the Surrealist game of Exquisite Corpse. With each mailing, words, images, and objects are added and new pieces are started; at any point, either of them can call a work finished. At first it was assumed that Ian would contribute text and Laura visuals, but this division soon dissolved, with Laura adding lines cut from ads or subway handouts and Ian melting crayons and experimenting with paint. They each had already been using collage methods in their own bodies of work, Ian with overheard and appropriated lines in his poems and Laura with photos and laser prints in the grounds of her paintings. 

Pop culture, politics, religion, and poetry make appearances, and recurring images and phrases create echoes and connections. A collage might go back and forth many times or make only one circuit between New Haven and New York. The pieces can be minimal or layered; early ones tended to be more spare, later work often gathered more objects, but over the years this has also followed an ebb and flow. Some pieces develop themes or function almost as diaries (a hospital glove, a postcard), and time frames can be felt in political or current events references. The gathering of materials has become a consuming habit for both of them, combining found objects, text, drawings, ads, photos, fabrics, and all manner of mixed media—a painterly, visceral process, the anti-Photoshop. “The Corpses turned us into scavengers,” Ian has said. “We ended up trying to get the whole world into them.” 

The process has retained its initial sense of play, while also reflecting battles over the obliteration of a passage of paint or text or the declaring of a piece finished. The series quickly demanded a level of intention equal to the work they were publishing and exhibiting individually. Called “joyously Fluxus-like” by Robert Shuster in the Village Voice and described by writer H. Byron Earhart as going “beyond collaborative to a kind of conspiratorial imagination,” “The Corpses” has evolved into more than a decade of personal and material call-and-response. At present, there are more than 300 finished works. A new batch is usually in progress or in transit.

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