
Phase Conception: Spring Sea, 1988
Gold leaf, acrylic paint on layers of thick handmade Japanese paper
64 x 89 x 2.5 in. (163 x 226 x 6.4 cm)
Signed, dated, and inscribed “N. Sekine ’88, G150-7, Spring Sea” (on a label affixed to the reverse)

Phase Conception: Spring Sea, detail, 1988
Gold leaf, acrylic paint on layers of thick handmade Japanese paper
64 x 89 x 2.5 in. (163 x 226 x 6.4 cm)
Signed, dated, and inscribed “N. Sekine ’88, G150-7, Spring Sea” (on a label affixed to the reverse)

Phase Conception: Spring Sea, detail, 1988
Gold leaf, acrylic paint on layers of thick handmade Japanese paper
64 x 89 x 2.5 in. (163 x 226 x 6.4 cm)
Signed, dated, and inscribed “N. Sekine ’88, G150-7, Spring Sea” (on a label affixed to the reverse)

Phase—Mother Earth, 1968
Earth, cement
Cylinder: 220 x 270 (diameter) cm, Hole: 220 x 270 (diameter) cm
Installation view: 1st Kobe Suma Rikyū Park Contemporary Sculpture Exhibition, October 1 - November 10, 1968
Photograph by Osamu Murai
Photo Credit: Wikipedia
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