Zhang Hongtu’s “Mai Dang Lao” in the permanent collection at the Montreal Museum of Fine Arts

   

– Baahng Gallery congratulates Zhang Hongtu on inclusion of an edition of his Mai Dang Lao, 2002, in the permanent collection at the Montreal Museum of Fine Arts. 

https://www.mbam.qc.ca/en/collections/arts-of-one-world/

 

– An edition of Zhang Hongtu‘s Mai Dang Lao, 2002, is currently on view at the Arts of Asia in Brooklyn Museum.

https://www.brooklynmuseum.org/exhibitions/arts_asia

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Zhang Hongtu at Museo Picasso Málaga 

Zhang Hongtu at Museo Picasso Málaga 

October 3, 2023 - March 31, 2024
Madison Ave New York Picasso, Welcome to America June 15 – July 31, 2023

PICASSO, WELCOME TO AMERICA

June 15 – Sept 27, 2023
Pitches & Scripts

PITCHES & SCRIPTS

Group Exhibition
January 20 - March 11, 2023
(DE)CONSTRUCTING IDEOLOGY: THE CULTURAL REVOLUTION AND BEYOND November 13, 2022 to March 12, 2023

Zhang Hongtu lectures and exhibits at the Wende Museum

November 13, 2022 - March 12, 2023
TANGO | Summer Exhibition | July 13 - August 17, 2022

TANGO

Summer Exhibition
July 13 - August 17, 2022
Zhang Hongtu

VAN GOGH / BODHIDHARMA

Zhang Hongtu
March 25 - April 27, 2022
LOVE DIFFERENCE

LOVE DIFFERENCE

Eric Brown, Janet Taylor Pickett, Zhang Hongtu
May 15 - June 15, 2021

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Artist Talk with Zhang Hongtu on Van Gogh/Bodhidharma

 

Saturday, 1-3 pm, November  16, 2019

at Baahng Gallery

Related:
Zhang Hongtu at Museo Picasso Málaga 

Zhang Hongtu at Museo Picasso Málaga 

October 3, 2023 - March 31, 2024
Madison Ave New York Picasso, Welcome to America June 15 – July 31, 2023

PICASSO, WELCOME TO AMERICA

June 15 – Sept 27, 2023
Pitches & Scripts

PITCHES & SCRIPTS

Group Exhibition
January 20 - March 11, 2023
(DE)CONSTRUCTING IDEOLOGY: THE CULTURAL REVOLUTION AND BEYOND November 13, 2022 to March 12, 2023

Zhang Hongtu lectures and exhibits at the Wende Museum

November 13, 2022 - March 12, 2023
TANGO | Summer Exhibition | July 13 - August 17, 2022

TANGO

Summer Exhibition
July 13 - August 17, 2022
Zhang Hongtu

VAN GOGH / BODHIDHARMA

Zhang Hongtu
March 25 - April 27, 2022
LOVE DIFFERENCE

LOVE DIFFERENCE

Eric Brown, Janet Taylor Pickett, Zhang Hongtu
May 15 - June 15, 2021

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JACK PIERSON

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WILLIAM MAJORS

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ROMARE BEARDEN

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BOB THOMPSON

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LISA BECK

Lisa Beck works with a variety of mediums  and modes, including painting, sculpture and installation (often in combination), involving inner and outer space, landscape, reflection, and the paradoxical relationship of something and nothing. 

Since the 1980s, her work has been exhibited in the US and internationally in venues including Feature Inc. (NYC), Elizabeth Dee Gallery (NYC), Anton Kern Gallery (NYC),  Galerie Samy Abraham (Paris),  Circuit, (Lausanne), PS1 (Long Island City),  White Columns, (NYC),  MAMCO – Museé d’ Art moderne et contemporain (Geneva), and the New Britain Museum of American Art (New Britain, CT).  

In 2013, “Endless”,  a survey show of works from 1986-2012, was presented at the Fort du Brussin, a hors le murs exhibition by La Salle de Bains, in Lyon, France.

Lisa’s work has been included in publications including  Painting Abstraction: New Elements in Abstract Painting by Bob Nickas,(2009, Phaidon Press) and Are You Experienced? by Ken Johnson (2011, Prestel).  In 2015, The Middle of Everywhere, a monograph on her work, was published by Galerie Samy Abraham  and La Salle de Bains.  

Lisa was a recipient of the 2012-13 Marie Walsh Sharpe Space Program Studio Residency in Brooklyn. 

Lisa Beck received a BFA from RISD. She lives and works in Brooklyn, NY. 

 

SELECTED ONE PERSON EXHIBITIONS

2019
Always Now, The Suburban, Milwaukee, WI
Send and Receive, The Gallery at the St. Kate, Milwaukee WI

2018
New Works, May 68, NY
Solo presentation at Art Verona with Vin Vin at Ruyter, Vienna

2017
Rising and Falling
, Elizabeth Dee, New York
New small works, Galerie Samy Abraham, Paris 

2016
The House of Eternity, Galerie Samy Abraham, Paris 

2015
The Middle of Everywhere, Circuit, Lausanne, Switzerland, curated by Caroline Soyez-Petithomme  

2014
Observatory, Galerie Samy Abraham, Paris  
You Are Here, 33 Orchard, New York 

2012
Endless, off site project of La Salle de Bains at Fort du Bruissin, Lyon, France 
Looking Through, Galerie Lisa Ruyter, Vienna  
To Here Knows When, Feature, New York 

2011
Between Days, Feature Inc., New York  

2019

VERTIGO, Baahng Gallery, New York
Masterpieces, Galerie Thomas Bernard, Paris
Social Photography VII, carriage trade, NYC
Thirty Years of Dutch Courage, Cokkie Snoei, Rotterdam
Notebook, curated by Joanne Greenbaum, 56 Henry, NYC

2018
Le Bon Cout, Galerie Samy Abraham, Paris
Polarities, TOTAH, NYC
The Anthology of Interplanetary Folk Art Vol. 2: The Rings of Saturn, organized by Bob Nickas, Kerry Schuss Gallery, NYC
Lisa Beck and Ranier Lericolas, Galerie Thomas Bernard, Paris

2017
Abandoned Luncheonette, Jeff Bailey Gallery, Hudson, New York
EDGE: Lisa Beck, Eric Brown, Rachel Hellmann, Mary Judge, Marilyn Lerner, Douglas Melini, Ann Pibal, Kate Shepherd, Cary Smith, Li Trincere, Jan van der Ploeg, Philip Slein Gallery St. Louis, MO
Thought Forms, Lisa Beck, Lydia Dona, Joan Waltemath, C. Grimaldis Gallery, Baltimore, MD 
Color Block, Triple V, Paris
Playground, Galerie Emmanuel Hervé, Paris
Vagary of Abstraction, LMAK  Gallery, New York
Doomtown, Portland Institute of Contemporary Art, Portland, OR
Beyond Black and White, Westbeth, NY, curated by Henry Brown and Li Trincere 

2016
GEOMETRIX: Line, Form, Subversion, Organized by Andrea Pollan and Curator’s Office, Washington DC 
Strange Abstraction, Fredericks and Freiser, NY
ALL OVER, curated by Samuel Gross, GALERIE DES GALERIES , Galeries Lafayette, Paris
GVA< > JFK, MAMCO (Musee de lArt Moderen et Contemporain), Geneva, curated by Lionel Bovier
that old school dystopia, Theodore:art, Brooklyn, curated by Stephanie Theodore & Wendy Cooper
Non Figuratif : un regain d’intérêt , Centre d’art contemporain Meymac, France  

First Exhibition, Elizabeth Dee Gallery, New York  
Kevin Larmon/ Lisa Beck, CB1 Los Angeles

2015

The Painter of Modern Life, Anton Kern Gallery, New York, curated by Bob Nickas 
Fertility, 33 Orchard, New York
Iterations, Theodore:Art, Bushwick   
Improvised Showboat, 55 Washington St, Brooklyn
Choices Paris, with Galerie Samy Abraham, curated by Alfred Pacquement, Paris 
Unexpected Pieces, Galerie Samy Abraham, Paris
Deep End, The Wassaic Project, Wassaic, NY
30/130 Thirty Years of Books and Catalogs, etc.  Bob Nickas at White Columns, White Columns, New York
Thirty Shades of White, Praz-Delavallade, Paris

2014
Real Estate, Ventana 244, Brooklyn, NY
No Ground But Say Ground, Halsey McKay Gallery, East Hampton, NY   
The Last Brucennial, 837 Washington St, New York
Inhabiting Ten Eyck, Storefront Ten Eyck, Bushwick Brooklyn, curated by Karin Bravin
Das Optische Unbewusste / The Optical Unconscious, Kunst(zeug)haus, Rapperswil, Switzerland
curated by Fred Fischli and Niels Olsen, in collaboration with Bob Nickas
This One’s Optimistic: Pincushion, New Britain Museum of American Art, New Britain, CT , curated by Cary Smith
Another, Once Again, Many Times, More, Martos Gallery, East Marion, NY  
Let’s Go Let Go – In Memoriam Hudson, 33 Orchard, New York
Raving Disco Dolly on a Rock ‘n’ Roll Trolley, envoy enterprises, NY  
Dark Map, Lesley Heller Workspace, New York
The Egg, LABspace, Great Barrington, MA 

2013
X-tra, Lesley Heller Workspace, NY  
Diamonds, Diamonds, Gallery Diet, Miami, curated by Daniel Feinberg  
Swing State, Jane Kim Gallery, NY
The Shining Path, Galerie Samy Abraham, Paris  
LAT. 41° 7′ N., LONG. 72° 19′ W, Martos Gallery, East Marion, New York   

2012
THING, group exhibition curated by Susan Jennings, West Cornwall, CT
Creature from the Blue Lagoon, Martos Gallery, Bridgehampton, NY  
Exposition d’artistes né(e)s entre le 22 juin et le 22 juillet, Galerie de Multiples, Paris
Tell the Children, La Salle des Bains, Lyon, France  

2011
bodybraingame, Rhona Hoffman Gallery, Chicago, curated by Hudson
The 2011 Bridgehampton Biennial, Martos Gallery, Bridgehampton, NY; organized by Bob Nickas  
We Regret To Inform You There Is Currently No Space or Place for Abstract Painting, Martos Gallery, New York
Lisa Beck / Philippe Richard, Theodore: Art, New York

2010
Pull My Daisy, Galerie Lisa Ruyter, Vienna   
Black Is the Color of My True Love’s Hair, NP Contemporary Art Center, New York
Daniel Hesidence Curates, Tracy Williams, Ltd., New York   
Lisa Beck / Olivier Mosset, Bell Street Project Space, Vienna
Wall-to-Wall, Daniel Weinberg Gallery, Los Angeles
Skulture, Feature Inc., New York
Townie, Foley Gallery, New York, curated by Carl d’Alvia
Portrait de l’artiste en motocycliste, Le Musee des Beaux Artes, Chaux les Fonds, Switzerland 

 

2018
GVA< >JFK, MAMCO Journal , edition No1, p 28
Scott, Andrea K., “Strange Attractors,” The New Yorker, October 16  

2017
“One Question, One Answer: Lisa Beck”, Romanov Grave  
Butler, Sharon. “Lisa Beck: So-called opposites“, Two Coats of Paint
Saltz, Jerry. “The 10 Best Art Achievements of 2017”   
Halle, Howard. “Lisa Beck: Rising and Falling”, Time Out New York
Elizabeth Dee Exhibits Lisa Beck’s New Paintings. artdaily.org, 

2016
Saltz, Jerry. Critic’s Pick, that old school dystopia, July 4, nymag.com
2015
Soyez-Petithomme, Caroline, ed.The Middle of Everywhere, essays by Samuel Gross, Bob Nickas, Caroline Soyez-Petithomme, La Salle de Bains, Galerie Samy Abraham 
Lescaze, Zoë. Critic’s Pick: The Painter of Modern Life, Artforum  

Chang, Chris. “Five Points with Bob Nickas”, Art in America 
“5 Must See Gallery Shows in New York”, Art Info
Halle, Howard. “The Painter of Modern Life”, TIme Out New York, April 1 

2014
Goleas, Janet. ART REVIEW: “Another, Once Again, Many Times More” on the North Fork,
Hamptons Art Hub, posted 9 August, 2014 
Hollingsworth, Dennis. “This One’s Opptimistic: Pincushion.”  http://www.dennishollingsworth.us
Lequeux, Emmanuelle. “Observatory,” Le Monde, 26 January 

2013
Saltz, Jerry. “MoMA’s Inventing Abstraction Is Illuminating—Although It Shines That Light Mighty Selectively,”
New York Magazine, January 14,  vulture.com, 6 January 
Morais, Pedro. “Accidents Geometriques,” Les Inrockuptibles, 30 January
Pernet, Hugo. ” Lisa Beck Endless,” Zero Quatre, spring 2013
Depuis 1999, Premier catalogue rétrospectif de La Salle de bains
Nickas, Bob. Annual Magazine, issue n°6  
Crest, Russ “.Lisa Beck’s Rorshach Installations”, Beautiful Decay 

2012
yes, no, something, nothing, never, always, Feature Inc, New York- catalog of selected works by Lisa Beck 1985-2010, interviews with Hudson and Bob NIckas  
Kazakina, Katya. “Art in the Hamptons,” Bloomberg.com, 1 August  
Miller, Michael H. “Bob Nickas Curates Summer Show in Bridgehampton One Last Time,” GalleristNY.com, 22 May  
Fessler, Anne Katrin. Review of “Looking Through”, Der Standard, 20 June  

2011
Nickas, Bob. Catalog of the Exhibition, 2nd Cannons Publications, Los Angeles (reproduction)
Indrisek, Scott. “The Pleasures of the Prosaic at the Bridgehampton Biennial,” Modern Painters, posted 15 August Rosenberg, Karen. “All Nooks, Crannies, Bedrooms and Trees are Backdrops for Art,” New York TImes,
8 August C5 (reproductions)  Miller, Michael H. “Learning from Bridgehampton,” New York Observer, 12 July  
Miller, Michael H. “So Long, Chelsea! Bob Nickas to Liven Up the Art World this Summer with Bridgehampton
Biennial,” New York Observer, 1 July  
Johnson, Ken. Are You Experienced?: How Psychedelic Consciousness Transformed Modern Art, Prestel Publishing, New York

2010
Review of “Skulture,” Goings On About Town, New Yorker, 25 January, 12
Rubin, David S., ed. Psychedelic: Optical and Visionary Art Since the 1960s, with essays by David S. Rubin,
Robert C. Morgan and Daniel Pinchbeck, San Antonio Museum of Art in association with MIT Press, Cambridge, MA, 33, 109

La Musee de Beaux Arts, La Chaux-de-Fonds, Switzerland
Frac des Pays de la Loire, Carquefou, France
Tang Museum, Saratoga Springs, NY USA

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ALEXIS de CHAUNAC

ALEXIS de CHAUNAC

(French-Mexican, b. 1991 in New York, NY, lives and works in New York and Paris, France)

Rapidly up-and-coming artist, Alexis de Chaunac draws from literature, religion, mythology, art history, politics, and his own multicultural background to produce exuberant, mixed-media drawings. He describes drawing as “a transcendental language that anyone can understand.” He works quickly, often with ink because of its fluidity, producing rich, multilayered works filled with faces and laden with cultural references. De Chaunac draws inspiration from such diverse artists as Rembrandt, Goya, Delacroix, Schiele, Picasso, and Francis Bacon, whom he groups together as “chroniclers of the human condition.” His own artistic rendering of humanity comes from literature. He claims influences from the Scriptures to great epics and all the way to Beat Generation writers such as William S. Burroughs. Referring to his practice as contemporary myth making, he takes archetypes such as Oedipus, Jesus Christ or Dante “working out of them to explore the primitive aspects of the human being.”

Born in New York and raised in Mexico City and Paris, he grew up surrounded by art and culture, drawing in the studio of his grandfather – a renowned Mexican artist Jose Luis Cuevas. He then lived for ten years in Paris immersed in European culture only to return to the US to study at the Sarah Lawrence College, NY.

 

BIOGRAPHY

1991 Born in New York, NY

Lives and works in New York and Paris, France

 

EDUCATION

2014 B.A., Sarah Lawrence College, Bronxville, NY

2013 History of Art, University of Oxford, UK

 

 

SELECTED SOLO EXHIBITIONS

2019 Alexis de Chaunac, Botanica, Silas von Morisse, Sargent’s Daughters, New York, NY

2018 Alexis de Chaunac, Botanica Magnifica, Silas von Morisse, ChaShaMa, New York, NY

2017 Alexis de Chaunac, Rebelde con Causa, XLV FIC, Universidad de Guanajuato, Mexico

2015 Alexis de Chaunac, A Dance with Life and Death, Silas von Morisse Gallery (formerly ART 3), Brooklyn NY

         Alexis de Chaunac, Mala Sangre/ Bestiario, Pinacoteca Diego Rivera, Xalapa, Mexico

2014 Alexis de Chaunac, Mala Sangre, Instituto Cultural de León, Guanajuato, Mexico

         Alexis de Chaunac, Mala Sangre, Museo Iconografico del Quijote, Guanajuato, Mexico

 

SELECTED GROUP EXHIBITIONS

2017 7102 Fantasma semiótico (s)cituacionista, Museo de Arte Carillo Gil, Mexico

2014 Inaugural Exhibition, ART 3 Gallery, Brooklyn, NY

2013 What is an Art Book?,Garis & Hahn Gallery, New York, NY

2010 DRAW, the largest contemporary drawing exhibition, curated by Erik Foss and Miguel Calderon, Museo de la Ciudad de Mexico, Mexico

 

COLLECTIONS

Private collections in New York, Los Angeles, Miami, Dallas, Mexico and Paris

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Venezia News reviews SCENTS

June 2019, Vol. 235, P8
Showcasing a group of finger paintings depicting nature, people, and various manifestations of Buddha, SCENTS, a solo exhibition of GuGu Kim (Korea, 1970), offers a glimpse of journey to enlightenment in life by conferring pleasure of labor and humility.  Presenting scrims made up of endless finger stamps and illuminating lights from inwards, SCENTS is an artist’s attempt to visualize scents of universal beings and deities.  GUGu Kim is primarily known for finger paint art and uses his own recipe of medium; mixture of powdered quartz, soot, graphite, pastel, and India ink. 

 
What does being an artist mean to you?

I believe the artist’s job is to inquire, question, though, there may not be an answer. In fact, I would rather be worn out than rotting away.  In my work, hundreds of thousands of fingerprints must be painted in order to create a work and this process is to me a performance of penance, love, art, and the life itself.

Have you always used fingerprints as a painting technique?

I was born and raised in the countryside of Gwangju, a province of Korea. When I was young, I used to play with charcoal, basically soots left from burning woods which was the main means of heating or cooking. And I used to make drawings in dirt or on paper with my hands, more precisely finger tips.  I remember that drawing with my fingers felt liberated but also fun.  Since then, I kept on using fingers to draw and paint throughout up to college days in art classes. I produced, I thought, better works by using fingers than using brushes. More importantly though, it was that awesome feeling of soft touch on canvas which in turn making imagination a reality, a work of art, with mere finger tips.  What a wonderful feeling that was!  I was mesmerized by this irresistible sensation felt from heart to tips of fingers, then back from the tips of fingers to heart.

What is the difference from using a regular paintbrush?

One of the most beautiful tools that human beings are endowed with is our body.  And most sophisticated means of communication is with body gestures that express feelings and thoughts. I feel most connected with my art when I use fingers instead of brushes.  It is most direct way of communicating myself with my creation, an art. It eliminates unnecessary intermediaries between me and my art.


What thoughts accompany your artistic gesture?

Style of painting does not really matter to me, I am more interested in what I choose to draw as subjects.  I am also not concerned with where I may belong in terms of, so called, a mainstream art.  My artistic gestures are rather instinctive. I am after the ultimate sentiment shared between artist and viewer.


You have a special relationship with food, flavors and scents. How does this relate to your artworks?

Actually, SCENTS is not related or referred to food, flavors, or pregnancies.  It is about scents of all beings in the universe. Humans, animals, plants, do communicate with their scents for affection to survival.  And scents are uniquely unique that no beings ever share exactly same scents as if they are the authentic markings for each beings.

What themes do you address in SCENTS, your new exhibition in Venice?

As curator Jennifer Baahng states, SCENTS addresses “Profound and Mysterious” in all of us. SCENTS attempts to visualize scents of universal beings and deities in temporal as well as spatial dimensions, presenting scrims made up of endless finger stamps.  SCENTS offers an artist’s glimpse of journey to enlightenment in life by conferring joy of labor and deliverance of compassion
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Venezia News reviews SCENTS

Venezia News reviews SCENTS

Venezia News June 2019 Vol. 235

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art in ASIA review on Front Lines: Visions from Southeast Asia

Art in Asia

Jan Feb 2009 No. 9, P86 - 89, by Dominick D. Lombardi

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Art in Asia

art in ASIA review on Front Lines: Visions from Southeast Asia

by Dominick D. Lombardi
January February 2009 No. 9
Yao Jui-Chung, Golden Baby II - Blue Eyes

FRONT LINES: Visions from Southeast Asia

November 7 - December 31, 2008

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