Janet Taylor Pickett, “And She Was Born”, currently on view at “RIFFS AND RELATIONS: African American Artists and the European Modernist Tradition”, and recently acquired by The Phillips Collection in Washington D.C. The exhibition is curated by Dr. Adrienne L. Childs and Janet Taylor Pickett is represented by Baahng Gallery.
RIFFS AND RELATIONS: African American Artists and the European Modernist Tradition
February 29 – May 24, 2020
Riffs and Relations: African American Artists and the European Modernist Tradition presents works by African American artists of the 20th and 21st centuries together with examples by the early 20th century European artists with whom they engaged. This exhibition explores the connections and frictions around modernism in the work of artists such as Romare Bearden, Robert Colescott, Renee Cox, Wassily Kandinsky, Norman Lewis, Henri Matisse, Pablo Picasso, Faith Ringgold, Hank Willis Thomas, and Carrie Mae Weems, among others. European modernist art has been an important, yet complicated influence on black artists for more than a century. The powerful push and pull of this relationship constitutes a distinct tradition for many African American artists who have mined the narratives of art history, whether to find inspiration, mount a critique, or claim their own space. Riffs and Relations examines these cross-cultural conversations and presents the divergent works that reflect these complex dialogues.