Sue McNally participates at the Arts Center at Duck Creek

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Sue McNally participates at the Arts Center at Duck Creek

The Arts Center at Duck Creek is pleased to present the Duck Creek Alumni Group Exhibition, a celebratory summer show featuring a dynamic group of artists who have contributed to the life and identity of Duck Creek since its founding. On view from June 14 through July 27, 2025, this expansive exhibition brings together works across painting, sculpture, photography, and installation, highlighting the breadth of creative voices that continue to shape Duck Creek’s community-driven mission.

Gallery artist Sue McNally had a solo exhibition, Mining The Middle, August 26- October 8, 2023, https://www.duckcreekarts.org/sue-mcnally, and will participate in this group. https://www.duckcreekarts.org/acdc-alumni

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Sue McNally

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Sue McNally Jaye Moon Janet Taylor Pickett

PARADE

June 2025
Sue McNally My Winter Wall, 2025 Acrylic on canvas, 16 x 20 inches

SUE MCNALLY

February - March, 2025

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JAYE MOON

Jaye Moon F.U.C.k, 2012 Acrylic on canvas 8 x 10 inches

Jaye Moon

PRIVATE

June 1 – 30, 2025

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PRIVATE presents Jaye Moon’s 2012 Number Paintings, mobilizing systems of communication not to disclose, but to conceal.  Within a lineage of conceptual art that privileges structure over narrative, the exhibition reveals strategies of communication that are measured, coded, and aesthetically controlled.

Number Paintings reference On Kawara’s canonical Date Paintings, which adheres to a strict formal program, canvas sizes, restrained grounds, and uniformly rendered dates in the language and gesture.  Each date marks a day lived without narrativizing the content of that day.  The absence becomes the message, suggesting presence and contemporaneity but withholding any subjective anchoring.

Jaye Moon mirrors this formal apparatus and repurposes it through the lens of linguistic encryption.  Her Number Paintings maintain the aesthetic and procedural fidelity of Kawara’s format. Instead of universalized dates, Moon features encoded Braille messages—transposed into numerical form through a system derived from the Braille alphabet’s dot configurations.  This use of Braille, a tactile writing system used by people who are visually impaired, further complicates the relationship between legibility, visibility, and access.  It serves as a metaphor for the complex nature of communication in subversion, as well as the use of tabooed words.  Her language is not absent, but rather present in another register that requires translation.

Where On Kawara constructs privacy through erasure and minimalism, Jaye Moon constructs it through obfuscation and code.  Both artists instrumentalize the mode of refusal, turning systems of language into architectures of protection.  Their works challenge the concept of communication, particularly in terms of personal or emotional meaning, which must be shielded, deferred, or encrypted.  In this sense, communication is not a conduit but a boundary.

PRIVATE frames privacy as an active aesthetic condition. Sustained through visual and linguistic constraints, Jaye Moon’s critical practice offers a poetics of discretion. PRIVATE values the careful and deliberate control of information, as well as resistance and the right to remain unread.

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Jaye Moon

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JANET TAYLOR PICKETT

Janet Taylor Pickett Memory of Water II, 2021 Acrylic and collage on canvas 40 x 40 inches

Janet Taylor Pickett

The Selma Burke Invitational African American Art Show

May 30 – June 29, 2025

Phillips’ Mill, New Hope, PA

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The gallery artist Janet Taylor Pickett is participating in the Selma Burke Invitational African American Art Show, on view from May 30 through June 29, 2025, at Phillips’ Mill.  Curated to expand the presentation of African American art and culture beyond the major cities of Philadelphia and New York and invigorate the historical context of Phillips Mill, the focal point of Impressionist art in America. During her 45 years in New Hope, Selma Burke taught youth and adults and contributed to depicting Franklin D. Roosevelt on the dime. The exhibition celebrates the legacy of Selma Burke and the works of all Black artists, challenging stereotypes and honoring Black art, history, and culture. Presented artists include Edward Bannister, Romare Bearden, Chakaia Booker, Kimberly Camp, Willie Cole, Thornton Dial, Wilfredo Lam, Norman Lewis, Faith Ringgold, Mickalene Thomas, and Hale Woodruff.

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HENRI MATISSE

Henri Matisse Femme au Chapeau, 1922 Oil on canvas 13.78 x 9. 6 inches

Henri Matisse

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CECILY BROWN

Cecily Brown Guys and Dolls, 1969 Oil on canvas 76 x 98 inches

Cecily Brown

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ROBERT MANGOLD

Robert Mangold 1/4 W Series, 1968 Acrylic, graphite on manganite 48 x 48 inches

Robert Mangold

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ROBERT MOTHERWELL

Robert Motherwell The Scillian Window, 1972 Oil on canvas 72 x 96 inches

Robert Motherwell

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YOSHITOMO NARA

Yoshitomo Nara Winter Long, 1999 Acrylic, color pencil on paper 20 x 14.17 inches

Yoshitomo Nara

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SHUSAKU ARAKAWA

Shusaku Arakawa No, Says the Signified, 1972 Acrylic on canvas 75 x 108 inches

Shusaku Arakawa

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Jaye Moon 2025 NYFA Hall of Fame Inductee

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Jaye Moon 2025 NYFA Hall of Fame Inductee

NYFA’s 2025 Hall of Fame Benefit will be held on Tuesday, March 18, at Gotham Hall to celebrate the notable work of NYFA Artist Honorees Jaye Moon and JT Rogers, alongside Patron of the Arts and Partner at Makeable LLC, Cristina Enriquez-Bocobo, and Commissioner Laurie Cumbo, NYC Department of Cultural Affairs, for their inspiring contributions to the arts.

Since the 1990s, Jaye Moon has been crafting interactive braille paintings using LEGO bricks. Moon has used LEGO as an artistic medium to create works emphasizing inclusivity and tactile engagement. In particular, her LEGO braille paintings demonstrate her innovative approach to accessible art. Her work has been exhibited at institutions including the Brooklyn Museum, the Queens Museum in New York, the Nam June Paik Art Center, the National Museum of Modern and Contemporary Art, and the Gyeonggi Museum of Modern Art in Korea. Moon holds an MFA degree in sculpture from Pratt Institute and is represented by Jennifer Baahng Gallery in New York and Seoul.

Artist:

Jaye Moon

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Sue McNally Jaye Moon Janet Taylor Pickett

PARADE

June 2025
Jaye Moon F.U.C.k, 2012 Acrylic on canvas 8 x 10 inches

JAYE MOON

PRIVATE
June 1 - 30, 2025
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TANGO

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