Sue McNally featured in Certeza published by Evergreen Review

July 12, 2025

Sue McNally featured in Certeza published by Evergreen Review.

Writer Mark Jobs wrote the story called “Certeza,” published in Evergreen Review in the spring/summer issue 2025, with six illustrated works by gallery artist Sue McNally. Mark Jacobs creates the world he has worked in and traveled through. As a Peace Corps volunteer and diplomat, he engaged with people in Latin America, Asia, Europe, Africa, and the Middle East. Mark has published over 200 stories in magazines including The Hudson Review, The Atlantic, Playboy, The Baffler, and The Iowa Review. His seventh book, a novel, Memory Fallks, is upcoming from Regal House.

View on Evergreen Review

Artist:

Sue McNally

Sue McNally featured in Certeza published by Evergreen Review

Spring - Summer, 2025

SUE MCNALLY

THIS IS MY TUNE

August 16 - October 27, 2025

Sue McNally Jaye Moon Janet Taylor Pickett

PARADE

June 2025

Sue McNally participates at the Arts Center at Duck Creek

June 14 - July 27, 2025

SUE MCNALLY

February - March, 2025

SUE MCNALLY

POETIC PROSE: SUE, LAURA, AND SALLY

Nov 7 - Dec 28, 2024

Categories: news

Tags: Sue McNally

WILLIAM S. BURROUGHS

July 12, 2025

William S. Burroughs Sloth from The Seven Deadly Sins, 1991 Woodcut and screen print Edition of 90, 10 APs 45.25 x 31 inches, image, unframed 45.25 x 31 inches, text, unframed — William S. Burroughs
*Sloth from The Seven Deadly Sins*, 1991
Woodcut and screen print
Edition of 90, 10 APs
45.25 x 31 inches, image, unframed
45.25 x 31 inches, text, unframed

William S. Burroughs Avarice from The Seven Deadly Sins, 1991 Woodcut and screen print Edition of 90, 10 APs 45.25 x 31 inches, image, unframed 45.25 x 31 inches, text, unframed — William S. Burroughs
*Avarice from The Seven Deadly Sins*, 1991
Woodcut and screen print
Edition of 90, 10 APs
45.25 x 31 inches, image, unframed
45.25 x 31 inches, text, unframed

William S. Burroughs Pride fromThe Seven Deadly Sins, 1991 Woodcut and screen print Edition of 90, 10 APs 45.25 x 31 inches, image, unframed 45.25 x 31 inches, text, unframed — William S. Burroughs
*Pride fromThe Seven Deadly Sins*, 1991
Woodcut and screen print
Edition of 90, 10 APs
45.25 x 31 inches, image, unframed
45.25 x 31 inches, text, unframed

William S. Burroughs Gluttony from The Seven Deadly Sins, 1991 Woodcut and screen print Edition of 90, 10 APs 45.25 x 31 inches, image, unframed 45.25 x 31 inches, text, unframed — William S. Burroughs
*Gluttony from The Seven Deadly Sins*, 1991
Woodcut and screen print
Edition of 90, 10 APs
45.25 x 31 inches, image, unframed
45.25 x 31 inches, text, unframed

William S. Burroughs Anger from The Seven Deadly Sins, 1991 Woodcut and screen print Edition of 90, 10 APs 45.25 x 31 inches, image, unframed 45.25 x 31 inches, text, unframed — William S. Burroughs
*Anger from The Seven Deadly Sins*, 1991
Woodcut and screen print
Edition of 90, 10 APs
45.25 x 31 inches, image, unframed
45.25 x 31 inches, text, unframed

WILLIAM S. BURROUGHS

POWER OF RANDOMNESS

July - August, 2025

Categories: artists

Tags: William S. Burroughs

THUNDERSPANGLE

July 4, 2025

Kevin Melchionne Rearranging Things To Make Them More Believable, 2025 Oil on panel 24 x 36 inches — Kevin Melchionne
*Rearranging Things To Make Them More Believable*, 2025
Oil on panel
24 x 36 inches

Bell and Ganassi The Corpses - Crow and Jay, 2013 Feather, fabric, pinecone, sign segment, and twist tie on paper on cardboard 8.5 x 11 inches — Bell and Ganassi
*The Corpses - Crow and Jay*, 2013
Feather, fabric, pinecone, sign segment, and twist tie on paper on cardboard
8.5 x 11 inches

Kevin Melchionne Living Out Each Other’s Intermittent Fantasies, 2025 Oil on panel 24 x 36 inches — Kevin Melchionne
*Living Out Each Other’s Intermittent Fantasies*, 2025
Oil on panel
24 x 36 inches

Bell and Ganassi The Corpses - Thunderspangle, 2017 Beer can, flag, firecracker wrapper, plastic key, text cutouts, postcard, and acrylic on paper 11.5 x 9 inches — Bell and Ganassi
*The Corpses - Thunderspangle*, 2017
Beer can, flag, firecracker wrapper, plastic key, text cutouts, postcard, and acrylic on paper
11.5 x 9 inches

Kevin Melchionne The Intricate Details Of Individual Lives, 2025 Oil on panel 16 x 20 in — Kevin Melchionne
*The Intricate Details Of Individual Lives*, 2025
Oil on panel
16 x 20 in

Bell and Ganassi The Corpses - Real People, 2005 Cutouts, postcards, beaded ornaments, stamps, text, and pencil on paper 11 x 8.5 inches — Bell and Ganassi
*The Corpses - Real People*, 2005
Cutouts, postcards, beaded ornaments, stamps, text, and pencil on paper
11 x 8.5 inches

Kevin Melchionne Some Kind Of Freedom, 2025 Oil on panel 23 x 48 inches — Kevin Melchionne
*Some Kind Of Freedom*, 2025
Oil on panel
23 x 48 inches

Thunderspangle

July 1 – 31, 2025

Laura Bell and Ian Ganassi, Kevin Melchionne

NEWYORK@BAAHNG.COM

WATCH THE VIDEOS

ARTIST

Bell and Ganassi, Kevin Melchionne

Categories: exhibitions

Tags: Bell and Ganassi Kevin Melchionne

SUE MCNALLY

June 24, 2025

Sue McNally Little Round Top, PA, 2024 Acrylic on canvas 103 x 74 inches — Sue McNally
*Little Round Top, PA*, 2024
Acrylic on canvas
103 x 74 inches

Sue McNally Chesapeake Storm, VA, 2014 Oil on canvas 72 x 96 inches — Sue McNally
*Chesapeake Storm, VA*, 2014
Oil on canvas
72 x 96 inches

Sue McNally

THIS IS MY TUNE

August 16 – October 27, 2025

NEWYORK@BAAHNG.COM

WATCH THE VIDEOS

Opening Reception:

Saturday, August 16, 4 – 6 PM

Artist’s Talk:

Saturday, August 16, 4:30 PM

Location:

Saint-Gaudens National Historical Park

139 Saint-Gaudens Road, NH 03745

As the series evolved, so did my process. Over time, expressive interpretation replaced literal depiction. My focus shifted from geographic accuracy to memory, identity, and experience. The landscape remained the structure, but the act of painting itself began to lead . . . Each piece marks a moment in my practice that signifies a shift in how I approach making.

For more than thirty years, Sue McNally has been painting landscapes, usually multiple landscapes at a time, in an undertaking of discovery through an exploration of surface, tools, mark-making, and color. This Is My Tune features paintings created in the last decade that present an evolution in the artist’s focus and process. While the landscape of the United States is the dominant subject, these vibrant, large canvases reveal a shift from an emphasis on the specificity of location and a reliance on photographic reference material to the intuitive process of painting and exploration of materials.

Sue McNally is based in Newport, Rhode Island, with a creative practice spanning locations in Rhode Island and southeastern Utah. Raised in New England, she earned a BFA from the University of Rhode Island and an MFA from the Savannah College of Art and Design. McNally has held numerous artist residencies, including the Edward E. Elson Artist-in-Residence at the Addison Gallery of American Art, as well as residencies at Carrizozo AIR, Crater Lake National Park, Vermont Studio Center, and Yaddo. Her artwork is included in the permanent collections of several museums, including the Addison Gallery of American Art, the Newport Art Museum, the North Dakota Museum of Art, the RISD Museum, the Tamarind Institute Archive, and the Worcester Art Museum. McNally is represented by Jennifer Baahng Gallery in New York.

VIEW EXHIBITION: https://saint-gaudens.org/exhibition/sue-mcnally/

ARTIST

Sue McNally

Categories: exhibitions

Tags: Sue McNally

Sue McNally participates at the Arts Center at Duck Creek

June 2, 2025

Sue McNally participates at the Arts Center at Duck Creek

The Arts Center at Duck Creek is pleased to present the Duck Creek Alumni Group Exhibition, a celebratory summer show featuring a dynamic group of artists who have contributed to the life and identity of Duck Creek since its founding. On view from June 14 through July 27, 2025, this expansive exhibition brings together works across painting, sculpture, photography, and installation, highlighting the breadth of creative voices that continue to shape Duck Creek’s community-driven mission.

Gallery artist Sue McNally had a solo exhibition, Mining The Middle, August 26- October 8, 2023, https://www.duckcreekarts.org/sue-mcnally, and will participate in this group. https://www.duckcreekarts.org/acdc-alumni

Artist:

Sue McNally

Sue McNally featured in Certeza published by Evergreen Review

Spring - Summer, 2025

SUE MCNALLY

THIS IS MY TUNE

August 16 - October 27, 2025

PARADE

June 2025

Sue McNally participates at the Arts Center at Duck Creek

June 14 - July 27, 2025

SUE MCNALLY

February - March, 2025

SUE MCNALLY

POETIC PROSE: SUE, LAURA, AND SALLY

Nov 7 - Dec 28, 2024

Categories: news

Tags: sue Sue McNally

JAYE MOON

May 16, 2025

Jaye Moon C.U.m, 2012 Acrylic on canvas 26 x 36 inches — Jaye Moon
*C.U.m*, 2012
Acrylic on canvas
8 x 10 inches

Jaye Moon3 A.S.s, 2012 Acrylic on canvas 13 x 17 inches — Jaye Moon3
*A.S.s*, 2012
Acrylic on canvas
13 x 17 inches

Jaye Moon

PRIVATE

June 1 – 30, 2025

INQUIRIES@BAAHNG.COM

WATCH THE VIDEOS

PRIVATE presents Jaye Moon’s 2012 Number Paintings, mobilizing systems of communication not to disclose, but to conceal. Within a lineage of conceptual art that privileges structure over narrative, the exhibition reveals strategies of communication that are measured, coded, and aesthetically controlled.

Number Paintings reference On Kawara’s canonical Date Paintings, which adheres to a strict formal program, canvas sizes, restrained grounds, and uniformly rendered dates in the language and gesture. Each date marks a day lived without narrativizing the content of that day. The absence becomes the message, suggesting presence and contemporaneity but withholding any subjective anchoring.

Jaye Moon mirrors this formal apparatus and repurposes it through the lens of linguistic encryption. Her Number Paintings maintain the aesthetic and procedural fidelity of Kawara’s format. Instead of universalized dates, Moon features encoded Braille messages—transposed into numerical form through a system derived from the Braille alphabet’s dot configurations. This use of Braille, a tactile writing system used by people who are visually impaired, further complicates the relationship between legibility, visibility, and access. It serves as a metaphor for the complex nature of communication in subversion, as well as the use of tabooed words. Her language is not absent, but rather present in another register that requires translation.

Where On Kawara constructs privacy through erasure and minimalism, Jaye Moon constructs it through obfuscation and code. Both artists instrumentalize the mode of refusal, turning systems of language into architectures of protection. Their works challenge the concept of communication, particularly in terms of personal or emotional meaning, which must be shielded, deferred, or encrypted. In this sense, communication is not a conduit but a boundary.

PRIVATE frames privacy as an active aesthetic condition. Sustained through visual and linguistic constraints, Jaye Moon’s critical practice offers a poetics of discretion. PRIVATE values the careful and deliberate control of information, as well as resistance and the right to remain unread.

ARTIST

Jaye Moon

Categories: exhibitions

Tags: Jaye Moon

JANET TAYLOR PICKETT

May 7, 2025

Janet Taylor Pickett

The Selma Burke Invitational African American Art Show

May 30 – June 29, 2025

Phillips’ Mill, New Hope, PA

WATCH THE VIDEOS

The gallery artist Janet Taylor Pickett is participating in the Selma Burke Invitational African American Art Show, on view from May 30 through June 29, 2025, at Phillips’ Mill. Curated to expand the presentation of African American art and culture beyond the major cities of Philadelphia and New York and invigorate the historical context of Phillips Mill, the focal point of Impressionist art in America. During her 45 years in New Hope, Selma Burke taught youth and adults and contributed to depicting Franklin D. Roosevelt on the dime. The exhibition celebrates the legacy of Selma Burke and the works of all Black artists, challenging stereotypes and honoring Black art, history, and culture. Presented artists include Edward Bannister, Romare Bearden, Chakaia Booker, Kimberly Camp, Willie Cole, Thornton Dial, Wilfredo Lam, Norman Lewis, Faith Ringgold, Mickalene Thomas, and Hale Woodruff.