Janet Taylor Pickett is included in “Prints from the Brandywine Workshop and Archives: Creative Communities” exhibition at Harvard Art Museums

Harvard Art Museums

“Prints from the Brandywine Workshop and Archives: Creative Communities”

March 4, 2022–July 31, 2022

Harvard Art Museums 

This exhibition marks the first presentation of a group of works acquired in 2018 by the Harvard Art Museums from the Brandywine Workshop and Archives, which is a nonprofit cultural institution that produces and shares art to connect, inspire and build bridges among global communities.  Comprising prints and proofs by nearly 30 artists, the acquisition itself was a cooperative effort between curators and other museum colleagues, as well as Harvard students and professors, who selected works that highlight collaboration and innovation.  Artists in the exhibition: Pedro Abascal, Danny Alvarez, John Biggers, Andrea Chung, Louis Delsarte, Allan Edmunds, Rodney Ewing, Sam Gilliam, Simon Gouverneur, Sedrick Huckaby, Hughie Lee-Smith, Ibrahim Miranda, Tanya Murphy, Kenneth Noland, Odili Donald Odita, Janet Taylor Pickett, Howardena Pindell, Robert Pruitt, Faith Ringgold, Betye Saar, Eduardo Roca Salazar, Juan Sanchez, Clarissa Sligh, Pamela Phatsimo Sunstrum, Hank Willis Thomas, Larry Walker, Stanley Whitney, Deborah Willis, and Murray Zimiles.

Images: Courtesy of Harvard Art Museums; © President and Fellows of Harvard College.

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Janet Taylor Pickett’s “Hagar’s Dress” is on view at Telfair Museums

telfair museums
Janet Taylor Pickett’s Hagar’s Dress, 2007, is on view at the Contemporary Spotlight: New Acquisitions from the Brandywine Workshop exhibition at the Telfair Museums from February 4 – May 1, 2022.
The exhibition is an opportunity to celebrate Telfair Museums‘ recently acquired lithographs by Black artists.  This acquisition moves the museum forward in its long-term goal of diversifying the collection and highlighting the works of underrepresented artists and narratives.  Other than two works by noted Georgia-born painter Benny Andrews, these compelling works on paper were created by significant female artists – Faith Ringgold, Deborah Willis, Emma Amos, Selma Burke, Sonya Clark, Gwendolyn Knight, Samella Lewis, Janet Taylor Pickett, Howardena Pindell, Alison Saar, Betye Saar, and Lorna Williams.  Created in the late 20th century and 21st century, these works cover a wide range of timely themes, including the legacies of slavery and racism in the United States, spirituality, education, womanhood, and nature.  They also effectively illustrate the visual, social, and political scopes of the powerfully versatile medium of printmaking.
Images: Courtesy of Telfair Museums

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ARTnews: Janet Taylor Pickett’s Moment to be Seen at Jennifer Baahng Gallery

artnews

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Janet Taylor Pickett “And She Was Born” included in the Phillips Collection Centennial Exhibition and featured on the Cover of the Exhibition Catalogue

SEEING DIFFERENTLY

The Phillips Collects for a New Century

CENTENNIAL EXHIBITION

FEBRUARY 20, 2021 – SEPTEMBER 12, 2021

 

 

Our gallery artist, Janet Taylor Pickett and her work, And She Was Born, 2017, is included in Seeing Differently, the centennial exhibition at The Phillips Collection, marking the first major celebration of the museum’s permanent collection in over 10 years. Guided by Duncan Phillips’s belief in the universal language of art as a unifying force for social change, the exhibition presents dynamic and engaging juxtapositions that connect artists past and present across national, racial, and gender lines. Also, And She Was Born is featured on the cover of the exhibition Catalogue, The Phillips Collection in association with Giles 2021 and a multitude of interdisciplinary programs.

 

https://www.phillipscollection.org

 

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Janet Taylor Pickett, “And She Was Born”, currently on view and recently acquired by The Phillips Collection in Washington D.C.

   

Janet Taylor Pickett, “And She Was Born”, currently on view at “RIFFS AND RELATIONS: African American Artists and the European Modernist Tradition”, and recently acquired by The Phillips Collection in Washington D.C. The exhibition is curated by Dr. Adrienne L. Childs and Janet Taylor Pickett is represented by Baahng Gallery.

 

RIFFS AND RELATIONS: African American Artists and the European Modernist Tradition

February 29 – May 24, 2020

 

Riffs and Relations: African American Artists and the European Modernist Tradition presents works by African American artists of the 20th and 21st centuries together with examples by the early 20th century European artists with whom they engaged. This exhibition explores the connections and frictions around modernism in the work of artists such as Romare Bearden, Robert Colescott, Renee Cox, Wassily Kandinsky, Norman Lewis, Henri Matisse, Pablo Picasso, Faith Ringgold, Hank Willis Thomas, and Carrie Mae Weems, among others.  European modernist art has been an important, yet complicated influence on black artists for more than a century. The powerful push and pull of this relationship constitutes a distinct tradition for many African American artists who have mined the narratives of art history, whether to find inspiration, mount a critique, or claim their own space. Riffs and Relations examines these cross-cultural conversations and presents the divergent works that reflect these complex dialogues. 

 

Source:

https://www.phillipscollection.org/events/2020-02-29-exhibitions-riffs-and-relations

https://www.phillipscollection.org/multimedia?id=/multimedia/2020-02-29-riffs-audio-tour-stop4

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PARADE

Sue McNally Jaye Moon Janet Taylor Pickett

PARADE

June 2025

June 5 is World Environment Day, a global day of environmental outreach with a shared mission to safeguard and restore our planet.

Sue McNally Mitten, 2020 Acrylic and oil on canvas 68 x 80 inches

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Mitten, 2020

Acrylic and oil on canvas

68 x 80 inches

Sue McNally Snakes And Rivers, 2024 Oil on canvas 90 x 90 inches

Sue McNally

Snakes And Rivers, 2024

Oil on canvas

90 x 90 inches

June is Pride Month for the LGBTQ + community to commemorate their diversity, recognize their history, and advocate for equality.

Jaye Moon Love Is All, 2025 ‘Love is all’ in Braille 750 Lego bricks on Plexiglas 15 x 15 x 1.5 inches

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Love Is All, 2025

‘Love is all’ in Braille

750 Lego bricks on Plexiglas

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Jaye Moon Fluid Spectrum, 2025 ‘Identity is a fluid spectrum’ in Braille 800 Lego bricks on Plexiglas 15 x 15 x 1.5 inches

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Fluid Spectrum, 2025

‘Identity is a fluid spectrum’ in Braille

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On June 19, Juneteenth celebrates freedom, resilience, and the legacy of African American communities and culture.

Janet Taylor Pickett Persephone’s Dance, 2023 Acrylic and collage on canvas 47 x 70 inches

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Acrylic and collage on canvas

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Janet Taylor Pickett Memory Of Water III, 2021 Acrylic and collage on canvas 40 x 62 inches

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Memory Of Water III, 2021

Acrylic and collage on canvas

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JANET TAYLOR PICKETT

Janet Taylor Pickett Entering the Gee’s Bend, 2013 Acrylic, gouache, watercolor, graphite, photos on Arches paper 30 x 22 in.

Janet Taylor Pickett

In Full Bloom

April – May 2025

In Full Bloom, Janet Taylor Pickett celebrates women, black diasporic culture, and beauty, showcasing selected works from the AKIMBO EXOTICA series produced from 2013 – 2018.  A dress form is ubiquitous in these works, structuring her female-centric narratives and histories writ large.  A metaphor for Black memory and a symbol of identity, Taylor Pickett’s often-ornate works defy linear timeframes and geographic or cultural relationships.  Africa and Europe, past and present, coexist in Taylor Pickett’s work and continue to explore the eternal black female empowerment through beauty and self-possession.  AKIMBO EXOTICA is a portal to the past that declares its story while retaining a patina of mysticism and abstraction—the ownership of Black beauty.

Janet Taylor Pickett Entering the Gee’s Bend, 2013 Acrylic, gouache, watercolor, graphite, photos on Arches paper 30 x 22 in.

Janet Taylor Pickett

Entering the Gee’s Bend, 2013

Acrylic, gouache, watercolor, graphite, photos on Arches paper

30 x 22 in.

Janet Taylor Pickett The Blooming, 2013 Acrylic, gouache, watercolor, graphite, photos on Arches paper 30 x 22 in.

Janet Taylor Pickett

The Blooming, 2013

Acrylic, gouache, watercolor, graphite, photos on Arches paper

30 x 22 in.

Janet Taylor Pickett Mud Cloth, 2013 Acrylic, gouache, watercolor, graphite, photos on Arches paper 30 x 22 in

Janet Taylor Pickett

Mud Cloth, 2013

Acrylic, gouache, watercolor, graphite, photos on Arches paper

30 x 22 in

Janet Taylor Pickett A Vessel, 2017 Acrylic, gouache, watercolor, graphite, photos on Arches paper 30 x 22 in.

Janet Taylor Pickett

A Vessel, 2017

Acrylic, gouache, watercolor, graphite, photos on Arches paper

30 x 22 in.

Janet Taylor Pickett Alma’s Garden, 2013 Acrylic, gouache, watercolor, graphite, photos on Arches paper 30 x 22 in.

Janet Taylor Pickett

Alma’s Garden, 2013

Acrylic, gouache, watercolor, graphite, photos on Arches paper

30 x 22 in.

Janet Taylor Pickett

Indigo Hands, 2018

Acrylic, gouache, watercolor, graphite, photos on Arches paper

30 x 22 in.

Janet Taylor Pickett Flashes of Joy, 2013 Acrylic, gouache, watercolor, graphite, photos on Arches paper 30 x 22 in.

Janet Taylor Pickett

Flashes of Joy, 2013

Acrylic, gouache, watercolor, graphite, photos on Arches paper

30 x 22 in.

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PRIDE AND INSOUCIANCE

The Muse, 2023 Acrylic on canvas 48x48 in.

JANET TAYLOR PICKETT

PRIDE AND INSOUCIANCE

February – April 2024

In Pride and Insouciance, Janet Taylor Pickett’s works serve as a powerful assertion of self-worth and cultural confidence. Resilience and beauty reach a pinnacle in Taylor Pickett’s luminous portraitures. Insouciance mingled with pride, carefree nonchalance balanced by a deliberate indifference to societal expectations, the figures are filled with expectancy and resolve, and embody a continuous longing for social, sexual, and spiritual freedom that is both personal and universal. Pride and Insouciance is a visual manifesto that encourages a profound exploration of the multifaceted nature of Black experiences. The intentional merging of the traditional and the contemporary speaks to the evolving cultural identity, inviting viewers to acknowledge the richness and complexity inherent in celebrating Blackness.  

The Muse, 2023 Acrylic on canvas 48x48 in.

Janet Taylor Pickett

The Muse, 2023

Acrylic on canvas

48×48 in.

Janet Taylor Pickett She’s In The Liminal Space, 2023 Acrylic on canvas 54 x 64 in.

Janet Taylor Pickett

The Liminal, 2023

Acrylic on canvas

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The Enchanted, 2023 Acrylic on canvas 48 x 48 in.

Janet Taylor Pickett

The Enchanted, 2023

Acrylic on canvas

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JANET TAYLOR PICKETT, ZHANG HONGTU, PINK and THE CORPSES


JANET TAYLOR PICKETT, ZHANG HONGTU, PINK and THE CORPSES


Madison Avenue  New York
Janet Taylor Pickett, Zhang Hongtu, PINK and THE CORPSES
October 5 – October 31, 2023

R.C. Baker
Eric Brown
Deborah Buck
Bell and Ganassi
Jaye Moon
Mr.
Janet Taylor Pickett
Zhang Hongtu

We are pleased to announce the group exhibition Janet Taylor Pickett, Zhang Hongtu, PINK and THE CORPSES, which runs from October 5 through October 31, 2023.  The exhibition marks the New York premiere of Janet Taylor Pickett’s works, previously only shown at the Oceanside Museum of Art in California, that probe a personal and collective past to posit a distinctly Black mythology of Self.  

This is also the debut of Zhang Hongtu’s never-before-seen Shan Shui Paintings from his personal collection.  Zhang’s Shan Shui series spans several years and explores the categories of “East” and “West” in a distinctive manner, reflecting his life in two cultures. He reimagines the work of seventeenth-century Chinese artists in the vibrant colors and brushwork of Monet and Vincent van Gogh.

On view includes works by R.C. Baker, Eric Brown, Deborah Buck, Bell and Ganassi, Jaye Moon, and Mr. selected from the online exhibition PINK and THE CORPSES.

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Janet Taylor Pickett

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October 13 - November 30, 2025
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June 2025
Janet Taylor Pickett Memory of Water II, 2021 Acrylic and collage on canvas 40 x 40 inches

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May 30 - June 29, 2025
Janet Taylor Pickett Entering the Gee’s Bend, 2013 Acrylic, gouache, watercolor, graphite, photos on Arches paper 30 x 22 in.

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Zhang Hongtu at Museo Picasso Málaga 

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May 15 - June 15, 2021

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Madison Ave New York Picasso, Welcome to America June 15 – July 31, 2023

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Picasso, Welcome to America

June 15 – September 27, 2023

R.C. Baker

Brandon Ballengée

Romare Bearden

Deborah Buck

Shijia Chen

Billy Copley

Eileen Foti

Björn Meyer-Ebrecht

Jaye Moon

Pablo Picasso

André Raffray

Janet Taylor Pickett

Zhang Hongtu

Every artist since the early 20th century has been influenced by Pablo Picasso.  The protean painter/ sculptor/ printmaker/ ceramicist helped define what “modern” art once was – and is still becoming.  In 1939, MoMA’s staff was gathering 300 works by the world’s “most famous living artist” (according to the museum’s press release) for Picasso: Forty Years of His Art.  A centerpiece of the exhibit was Guernica, his grisaille mural decrying the destruction of the small Basque town by Nazi bombers, in 1937.

Along with Michelangelo and Rembrandt, the name Picasso (1881-1973) has become a synonym – a cliché, even – for “artist.”  But none of the artists in Picasso, Welcome to America see the Spanish-born titan as an old hat.  Instead, these ten Americans find in the European trailblazer constant inspiration and ongoing challenge.  Zhang Hongtu imagines Chairman Mao exposed by glaring illumination similar to the all-seeing lantern in Guernica.  Jaye Moon also reimagines Picasso’s anti-war masterpiece, in When Bob Dylan Meets Picasso, Guernica – using Lego bricks in Braille rather than paint.

The bodies and masks in another Picasso touchstone, Les Demoiselles d’Avignon (1907), come under scrutiny from Eileen Foti and André Raffray through substitution and homage.  Billy Copley finds masks in unlikely surroundings, while Janet Taylor Pickett moves effigies aside to place her powerful female figure at center stage.  Deborah Buck turns Picasso’s infamously harsh male gaze around, painting surreal figures that might be asking, “Who’s crying now?”  In Weary of Treading the Earth, from 1945, Romare Bearden, working in watercolor and ink rather than his later signature collage, energizes cubist space with a circus-like palette.  R.C. Baker riffs beyond Picasso’s Blue and Rose periods through primary-colored aluminum printing plates.  Björn Meyer-Ebrecht’s dynamic wood and enamel sculpture strips the figure to cubist angles and voids, while Brandon Ballengée searches for animals that, like Picasso’s minotaurs, are no longer with us. Original works by Pablo Picasso will also be on view, commemorating the 50th anniversary of his death.

All of the artists in this exhibition have been influenced by Picasso’s experiments with form and perspective – his breaking of traditional and academic rules.  Some of the work here also comments on his darker side, while other pieces engage with the social and political aspects of Picasso’s art.  Ultimately, these ten contemporary artists in Picasso, Welcome to America appreciate the formal and aesthetic complexity of a constant innovator.  This great artist was effectively barred from ever visiting the United States because he was a member of the French Communist Party.  But the joke was on the Feds – Picasso has been in America all along.

VIDEOS

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October 13 - November 30, 2025
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May 30 - June 29, 2025
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April – May, 2025
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Sept 3 - Nov 2, 2024
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Sept 5 - Oct 19, 2024
Zhang Hongtu at Museo Picasso Málaga 

Zhang Hongtu at Museo Picasso Málaga 

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June 15 – Sept 27, 2023
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January 20 - March 11, 2023
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March 25 - April 27, 2022
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May 15 - June 15, 2021
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June 23 - September 1, 2024
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May 16 - July 12, 2024
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